Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Öffnungszeiten: Di–So, 10–18 Uhr; Do, 10–21 Uhr
Eröffnung: Dienstag, 15. Juli 2025, 19–22 Uhr
Heute
Ongoing
Sommersemester 2025
Information, 22. April – 25. Juli 2025
Demnächst
Overture – Absolvent*innenausstellung
Ausstellung, 15. Juli – 10. August 2025, 19:00
Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
Vortrag, 16. Juli 2025, 19:00
Tanya Lukin Linklater: _structural_flex_
Vortrag, 8. Juli 2025, 19:00
Florence Jung: Doing nothing?
Vortrag, 24. Juni 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Vortrag, 17. Juni 2025, 19:00
Adir Jan & Emrah Gökmen: An den Ufern des Munzur, an den Ufern des Murat
Konzert, 12. Juni 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Vortrag, 10. Juni 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Vortrag, 3. Juni 2025, 19:00
Jimmy Robert
Vortrag, 27. Mai 2025, 19:00
Klein: No Degree, No Budget, No Problem
Vortrag (20.5.) Konzert (21.5.), 20. – 21. Mai 2025
Julian Irlinger: Reanimation and Reconstruction
Vortrag, 13. Mai 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8. Mai 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Filmvorführung (5.5.) Vortrag (6.5.), 5. – 6. Mai 2025, 19:00
Helen Marten: Animal Hours
Vortrag, 29. April 2025, 19:00
Bewerbung: Masterstudiengang Curatorial Studies – Theorie – Geschichte – Kritik
Bewerbung, 10. April – 31. Mai 2025
Vorlesungsfreie Zeit Frühjahr 2025
Information, 14. Februar – 21. April 2025
Water Cooler Talks 2025
Veranstaltung, 8. – 9. Februar 2025
Rundgang 2025
Ausstellung, 7. – 9. Februar 2025, 10:00–20:00
Trisha Donnelly
Vortrag, 30. Januar 2025, 19:00
Kerstin Brätsch: Parasite Painting
Vortrag, 28. Januar 2025, 19:00
Emma Enderby: Curating in and out of Place
Vortrag, 14. Januar 2025, 19:00

Dan Mitchell
Dan Mitchell lives and works in London. His practice involves collage and magazine formats, that developed from a traditional relationship with collage. In later years he has increasingly used computer software to manipulate analogue and digital imagery. This stands much in reference to photographic manipulation in advertising, politics, sport and pornography. The work takes the form of an assemblage of culled images (from the web, magazines, posters, film and photography) and is then rendered on paper as posters, magazines, drawings and prints as well as sculpture. Dan Mitchell was a founding member of the art space Poster Studio (1994–1997) and is the publisher of Hard Mag, the specialist anti-fear magazine. He has previously taught at Central St. Martins School of Art in London and has lectured in many institutions throughout Europe. In 2014 he started the ASP (artist self publishing) fair, an annual event held at the Institute of Contemporary Art in London.
Recent solo exhibitions include "TENNIS AND WHAT IT MEANS TO BE MODERN", Filet, London (2018); "DEATH LOLZ Presents... UK", Peak, London (2018); "ULTRA MEGA HYPE", Ludlow 38, NYC (2017); "Sports", 3236RLS, London (2017); "New Dead City", Oracle, Berlin (2016); "Alcoholism", Celine Gallery, Glasgow (2016); "Uppers and Downers: You Are Already Dead", Xero, Kline & Coma, London (2015); “Is My Art Professor A Terrorist?”, Munich Kunstverein, Munich (2015); “Poison Gas”, Galerie God, London (2014); “STALLINNISM”, Temnikova & Kasela Gallery, Tallinn, (2014); “Will We Still Play Tennis After The Revolution?”, Watch It Gallery, London (2014); and “An Opening - #danmitchell@limazulu.lol”, Lima Zulu, London (2013).
Der Vortrag findet in englischer Sprache statt.