Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Öffnungszeiten: Di–So, 10–18 Uhr; Do, 10–21 Uhr
Eröffnung: Dienstag, 15. Juli 2025, 19–22 Uhr
Heute
Ongoing
Sommersemester 2025
Information, 22. April – 25. Juli 2025
Demnächst
Tanya Lukin Linklater: _structural_flex_
Vortrag, 8. Juli 2025, 19:00
Overture – Absolvent*innenausstellung
Ausstellung, 15. Juli – 10. August 2025, 19:00
Florence Jung: Doing nothing?
Vortrag, 24. Juni 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Vortrag, 17. Juni 2025, 19:00
Adir Jan & Emrah Gökmen: An den Ufern des Munzur, an den Ufern des Murat
Konzert, 12. Juni 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Vortrag, 10. Juni 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Vortrag, 3. Juni 2025, 19:00
Jimmy Robert
Vortrag, 27. Mai 2025, 19:00
Klein: No Degree, No Budget, No Problem
Vortrag (20.5.) Konzert (21.5.), 20. – 21. Mai 2025
Julian Irlinger: Reanimation and Reconstruction
Vortrag, 13. Mai 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8. Mai 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Filmvorführung (5.5.) Vortrag (6.5.), 5. – 6. Mai 2025, 19:00
Helen Marten: Animal Hours
Vortrag, 29. April 2025, 19:00
Bewerbung: Masterstudiengang Curatorial Studies – Theorie – Geschichte – Kritik
Bewerbung, 10. April – 31. Mai 2025
Vorlesungsfreie Zeit Frühjahr 2025
Information, 14. Februar – 21. April 2025
Water Cooler Talks 2025
Veranstaltung, 8. – 9. Februar 2025
Rundgang 2025
Ausstellung, 7. – 9. Februar 2025, 10:00–20:00
Trisha Donnelly
Vortrag, 30. Januar 2025, 19:00
Kerstin Brätsch: Parasite Painting
Vortrag, 28. Januar 2025, 19:00
Emma Enderby: Curating in and out of Place
Vortrag, 14. Januar 2025, 19:00

Hassan Khan: The Keys to the Kingdom
some just walk past the post
post the past past the boast
hit deep see this big hole seep
try you the best the most
some got ready to raise the host
timing time to raise the ghost
– The Infinite Hip-Hop Song (2019)
This is the story of how a chance encounter with a mid-nineteenth century pedestal table, that so accurately, and offensively, channeled and celebrated the racial politics that built what we call the modern world, became the starting point for an exhibition. This is also, and by necessity, a story of transformations and causes; why the tousled outline of Boris Johnson's hair ended up an emblem on a banner, or how an early noughties marketing tool for cellphone ringtones and an appropriated meme signaling hatred produced by the hysterical fear of losing white privilege met one day and became something else. This is a tale of surprises; how a dairy shop sign of two cows kissing on the streets of Abdeen becomes the gateway to collective projections, or a smiling ceramic pig on the buffet table of a cheap hotel a totem of collective fears. In this lecture, Hassan Khan will discuss an exhibition titled The Keys to the Kingdom that ran from 18 October 2019 to 1 March 2020 at the Crystal Palace, Reina Sofia in Madrid. The exhibition included an algorithmic hip-hop song, illustrated flags, a ceramic mural of digitally printed computer generated images, glass columns produced by exerting direct pressure and a variety of other forms.
Hassan Khan is an artist, musician, and writer. Recent solo exhibitions include The Keys to the Kingdom, Reina Sofia, Madrid and Host, Kestnergesellschaft, Hannover. Both his Anthology of Published and Unpublished Writings (Koenig) and album SUPERSTRUCTURE EP (The Vinyl Factory) were released last year. Hassan Khan is the winner of the Silver Lion Award at the 57th Venice Biennale (2017) and is a Professor of Fine Arts at Städelschule, Frankfurt, Germany. He mainly lives and works in Cairo, Egypt.
Der Vortrag findet in englischer Sprache statt.