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The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content.The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content. The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content. 
Villa Karma
Pictured: Taylor Map of New York, 1879 published by Galt & Hoy
The City Transformed
Rushes
25-Hour Economy
PostOst Re:Vision
Witnessing Witnessing
Shards of Sisyphus
Manfred Peckl, Dieb Lumen des Bösen/Verdammte Frau, 2025, collage on bookpage, 19 x 11.8 cm
Dieb Lumen des Bösen
Sallie Gardner's Filmclub
Depois do silêncio
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Amy Sillman’s “Shapes”

The artist shares an original zine on the occasion of her MoMA Artist’s Choice exhibition.

Amy Sillman, Michelle Kuo

Amy Sillman is a painter who has expanded and pushed the medium into many other genres—from drawing to video to zines, DIY publications usually made fast and printed on the fly. For MoMA, Sillman has created a new zine issue, “Shapes,” on the occasion of her exhibition Artist’s Choice: Amy Sillman—The Shape of Shape, for which she selected more than 70 works from the Museum’s collection.

The zine takes off where the exhibition began: with shapes, those shifting, omnipresent entities that define who we are and what we see. As Sillman writes, “Basically everything in the world is a shape...every edge, corner, blob, form, silhouette, or negative space is something you have to navigate to get through a room.” She explores little-known histories of shape in modern art and gives us a raucous visual tour of all those artists who, she argues, don’t quite fit into the traditional canon—“oddballs” who explored shape without systems, dreams instead of rules, detours rather than grand plans. And yet all this seemingly blithe play with shape—with bodies, geographies, relationships—is at the core of art and even politics. As we read in the zine, “form registers protest.”

YOU CAN READ/SEE/DOWNLOAD THE ENTIRE ZINE HERE.

Explore the exhibition online.

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Hochschule für Bildende Künste–Städelschule
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60596 Frankfurt am Main
Daimlerstraße 32
60314 Frankfurt am Main
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