Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Opening hours: Tue–Sun, 10am–6pm; Thu, 10am–9pm
Opening: Tuesday, July 15, 2025, 7pm–10pm
Today
Tanya Lukin Linklater: _structural_flex_
Lecture, 8 July 2025, 19:00
Ongoing
Summer Semester 2025
Information, 22 April – 25 July 2025
Upcoming
Overture – Graduate Exhibition
Exhibition, 15 July – 10 August 2025, 19:00
Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
Lecture, 16 July 2025, 19:00
Florence Jung: Doing nothing?
Lecture, 24 June 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Lecture, 17 June 2025, 19:00
Adir Jan & Emrah Gökmen: On the Shores of the Munzur, on the Shores of the Murat
Concert, 12 June 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Lecture, 10 June 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Lecture, 3 June 2025, 19:00
Jimmy Robert
Lecture, 27 May 2025, 19:00
Klein: No Degree, No Budget, No Problem
Lecture (20.5.) Concert (21.5.), 20 – 21 May 2025
Julian Irlinger: Reanimation and Reconstruction
Lecture, 13 May 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8 May 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Screening (5.5.) Lecture (6.5.), 5 – 6 May 2025, 19:00
Helen Marten: Animal Hours
Lecture, 29 April 2025, 19:00
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Application, 10 April – 31 May 2025
Semester Break Spring 2025
Information, 14 February – 21 April 2025
Water Cooler Talks 2025
Event, 8 – 9 February 2025
Rundgang 2025
Exhibition, 7 – 9 February 2025, 10:00–20:00
Trisha Donnelly
Lecture, 30 January 2025, 19:00
Kerstin Brätsch: Parasite Painting
Lecture, 28 January 2025, 19:00
Emma Enderby: Curating in and out of Place
Lecture, 14 January 2025, 19:00

Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
The talk focuses on the development of Janevski’s curatorial practice through three distinct case studies, each illustrating a different exhibition format and curatorial strategy. "Looping" emerges in the context of a major solo exhibition by Joan Jonas at MoMA; "Echoing" characterizes the curatorial approach within a biennial framework–specifically, the Art Encounters Biennial in Timișoara, co-curated with Tevž Logar; and "Relaying" underpins the collaborative, process-based "anniversary-retrospective" at the Cité des Arts in Paris, developed with Nataša Petrešin-Bachelez. These diverse contexts—from the institutional structure of MoMA to a biennial positioned outside the dominant centers of the art world, to a collectively shaped project in Paris—offer students insights into the curatorial thinking, formats, and methodologies behind each exhibition. The conversation examines how each setting informed the curatorial process, shaped forms of collaboration, and engaged different publics.
Ana Janevski is a curator in the Department of Media and Performance at the Museum of Modern Art, New York. She has organized many performances, exhibitions, and collection presentations. She curated a retrospective of Joan Jonas Good Night Good Morning (2024). Her collaboratively organized exhibitions at MoMA include Judson Dance Theater: The Work Is Never Done (2018), Scenes for a New Heritage: Contemporary Art from the Collection (2016), and Projects 100: Akram Zaatari (2011). From 2007 to 2011, she held the position of curator at the Museum of Modern Art in Warsaw, where she curated, among many other projects, the large-scale exhibition and accompanying publication As Soon As I Open My Eyes I See a Film, which focused on Yugoslav experimental film and art from the 1960s and 1970s (2011). She regularly contributes to and co-edits publications on performance, the body, and the history of art in Eastern Europe. She received her MPhil at L’École des hautes études en sciences sociales (EHESS) in Paris and her MA at Université Sorbonne Nouvelle – Paris 3.