Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Opening hours: Tue–Sun, 10am–6pm; Thu, 10am–9pm
Opening: Tuesday, July 15, 2025, 7pm–10pm
Today
Ongoing
Summer Semester 2025
Information, 22 April – 25 July 2025
Upcoming
Tanya Lukin Linklater: _structural_flex_
Lecture, 8 July 2025, 19:00
Overture – Graduate Exhibition
Exhibition, 15 July – 10 August 2025, 19:00
Florence Jung: Doing nothing?
Lecture, 24 June 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Lecture, 17 June 2025, 19:00
Adir Jan & Emrah Gökmen: On the Shores of the Munzur, on the Shores of the Murat
Concert, 12 June 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Lecture, 10 June 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Lecture, 3 June 2025, 19:00
Jimmy Robert
Lecture, 27 May 2025, 19:00
Klein: No Degree, No Budget, No Problem
Lecture (20.5.) Concert (21.5.), 20 – 21 May 2025
Julian Irlinger: Reanimation and Reconstruction
Lecture, 13 May 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8 May 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Screening (5.5.) Lecture (6.5.), 5 – 6 May 2025, 19:00
Helen Marten: Animal Hours
Lecture, 29 April 2025, 19:00
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Application, 10 April – 31 May 2025
Semester Break Spring 2025
Information, 14 February – 21 April 2025
Water Cooler Talks 2025
Event, 8 – 9 February 2025
Rundgang 2025
Exhibition, 7 – 9 February 2025, 10:00–20:00
Trisha Donnelly
Lecture, 30 January 2025, 19:00
Kerstin Brätsch: Parasite Painting
Lecture, 28 January 2025, 19:00
Emma Enderby: Curating in and out of Place
Lecture, 14 January 2025, 19:00
Hajra Waheed "HUM" at Portikus

For her upcoming solo exhibition at Portikus, Hajra Waheed realises an indoor site specific iteration of Hum (2020).
Hum (2020) is a large scale multi-channel musical composition and sound installation that employs the ubiquitous yet overlooked medium of humming as a means to explore radical forms of collective and sonic agency. The work’s title, which translates to “We” in Urdu, reflects on international solidarity movements that emerged in the second half of the 20th century during processes of decolonization in the Global South. Driven by the need to critically engage these histories and reflect on their implications for our time, the composition features eight hummed songs of resistance from South, Central, West Asia and Africa. Shared across each of these hummed verses are stories of struggle against state oppression, the rise of authoritarianism and the plight and hope of working people, the marginalized and dispossessed. All of these songs are being resurrected in social movements today.
Hum was initially created upon invitation for Lahore Biennial 02 and shown within Lahore Fort’s historic Diwaan-i-Aam. Built by Shah Jahan in 1628 and styled after Isfahan’s Chehel Sotoun, a forty-pillar audience hall, Diwaan-i-Aam was initially conceived as a space for the public to air their grievances. Humming as a medium, meditation, phenomena and language of resistance, cuts across a crisis of hardened differences, challenging border constructions and for a moment, transforming divisions around ethnic, religious, linguistic and national affiliations into a larger call for solidarity.
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