Ongoing

Guidelines on General Equality

Information, 9 November 2020 – 9 November 2030

Willem de Rooij "PIERRE VERGER IN SURINAME" at Portikus

Exhibition, 27 March – 18 July 2021

Summer semester 2021

Information, 12 April – 16 July 2021

Lectures Summer Semester 2021

Online Lecture, 20 April – 8 July 2021

Willem de Rooij class: Premiere

Class Project, 7 – 21 May 2021

Upcoming

Etta Madete: OCHA-African Avant-Garde

Online Lecture, 11 May 2021, 19:00

Hassan Khan class: AUTONATURA

Class Project, 14 – 16 May 2021

Breaking Glass III – Virtual Space

Symposium, 28 – 30 May 2021

Archive: 2021 NextPrevious

Banu Cennetoğlu: neither a mirror nor a hammer

Online Lecture, 6 May 2021, 19:00

POSTPONED—Daniel Lie: Rotten Energy

Online Lecture, 29 April 2021, 19:00

Elif Saydam: The House Always Wins

Online Lecture, 20 April 2021, 19:00

Willem de Rooij Class: Raum I7

Class Project, 19 February 2021

Rungdang

Event, 19 – 21 February 2021, 16:00–20:00

STADL: Schtorona

Radio Show, 19 – 21 February 2021, 18:00–19:00

Bani Abidi: Funland

Online Lecture, 16 February 2021, 19:00

Olga Balema

Online Lecture, 4 February 2021, 19:00

Henrike Naumann: Aesthetics of Power

Online Lecture, 28 January 2021, 19:00

The Otolith Group: Infinity Minus Infinity

Online Lecture, 21 January 2021, 19:00

Manuela Moscoso: Liverpool Biennial 2021

Online Lecture, 19 January 2021, 19:00

Jason Mohaghegh: Dreams of the Last King

Online Lecture, 12 January 2021, 19:00

Manuela Moscoso: Liverpool Biennial 2021

Online Lecture19 January 2021, 19:00online
Teresa Solar, work in progress for the LB21 public sculpture commission Osteoclast, 2021, materials: resin, mixed media, photo: Courtesy of the artist.Teresa Solar, work in progress for the LB21 public sculpture commission Osteoclast, 2021, materials: resin, mixed media, photo: Courtesy of the artist.

In this lecture, Manuela Moscoso will be presenting the work behind assembling the Liverpool Biennial 2021 which will unfold her perspective on curating, exhibition making and producing in motion with artistic practices. The question at the heart of the 2021 Liverpool Biennial is about the body: what is a body, what does it? And by extension: what is a human and what potential humans have to be? The focus on the body challenges our understanding of ourselves as rational, defined, finite beings, suggesting instead non-Western viewpoints to recognize the entanglement of bodies, objects, the environment and history. The Liverpool Biennial's title The Stomach and the Port reflects on systems of exchange, how borders are not only geographic but also political and subjective constructs—the outcome of a historical process of division begun in the modern, colonial world. The Biennial resists this order, reminding us that our lives are intertwined with one another.

Manuela Moscoso is a curator, researcher and critical producer devising and delivering exhibitions, public programs and publications, independently or for organizations in Europe and Latin America, for example as Senior Curator at Museo Tamayo, Mexico City; Co-Director of Capacete, Rio de Janeiro and currently as curator at the 2021 Liverpool Biennial. She has published a number of books and essays, including Thinking about it (Archive Books, 2014), Animal Que No Existe with Daniel Steegmann Mangrané (Bom Dia Boa Tarde Boa Noite, 2015) and Hands Makes Mistakes with Ariel Schlesinger (Roma Publications, 2019). Collaboration is fundamental to her professional practice as Moscoso believes production only happens through a relation with others. Recognizing herself as a curator of practices rather than objects, she continuously looks for different approaches to research, create, think, produce and disseminate work and ideas. Moscoso sees a deep connection between art and education practices and she is strongly committed diversifying the art sector by ensuring wider representation on every aspect of its practices and advocating for non-Western systems of thought.

Registration

The lecture will be held in English language.

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