Jochen Lempert at Portikus

Exhibition, 12 March – 5 June 2022

Summer semester 2022

Information, 11 April – 15 July 2022

Lectures Summer Semester 2022

Lecture, 26 April – 28 June 2022, 19:00


Information, 9 May – 30 September 2022

Upcoming: next month PreviousNext

Asad Raza "Diversion" at Portikus

Exhibition, 25 June – 25 September 2022

Archive: 2022 NextPrevious

Lecture: Neïl Beloufa

Lecture, 10 May 2022, 19:00

Daniel Birnbaum: Notes on the frames of art

Event, 10 April 2022, 15:00–17:00

Term break 2022

Information, 21 February – 10 April 2022

Rundgang Award Winners

Information, 18 – 20 February 2022

Judith Hopf Class: Grand Nizza Show

Class Project, 18 February – 11 March 2022

Rundgang 2022

Exhibition, 18 – 20 February 2022, 10:00–20:00

Pan Daijing

Online Lecture, 10 February 2022

Jordy Rosenberg: Lift Rift

Online Lecture, 2 February 2022

Ulrike Müller: Moving More Parts

Online Lecture, 25 January 2022

Park McArthur

Online Lecture, 18 January 2022

Sam Durant: Public Discourse?

Online Lecture, 11 January 2022

Sam Durant: Public Discourse?

Online Lecture11 January 2022
Untitled (drone)  2021  Fiberglas, steel, slew bearing, marble A High Line Plinth commission  Photo by Timothy Schenck. Courtesy the High Line.Untitled (drone) 2021 Fiberglas, steel, slew bearing, marble A High Line Plinth commission Photo by Timothy Schenck. Courtesy the High Line.

Sam Durant is a North Atlantic artist whose interdisciplinary work engages a variety of social, political, and cultural issues.  His methodology is research based but with an emphasis on social engagement, often working with communities and groups in collaborative and performative formations.  Often taking up forgotten events from the past, his works make connections with present and ongoing social and cultural issues.  His major public art projects include Labyrinth (2015) in Philadelphia. PA, The Meeting House (2016) in Concord, MA and Iconoclasm (2019) in Detroit, MI .  His most recent public work Untitled (drone) is the second commission for the High Line Plinth in New York and will be in view until 2022.  Durant’s work has been included in numerous international exhibitions including Documenta 13, the Yokohama Triennial, the Venice, Sydney, Busan, Liverpool, Panama, and Whitney Biennials.  His work can be found in many public collections including Fonds National d’Art Contemporain, Paris, France, The Walker Art Center, MN,  Museum of Modern Art, New York, The Los Angeles County Museum of Art,  Project Row Houses, Houston, TX, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, Tate Modern, London, England.  Durant is based in Berlin and Los Angeles and teaches art at the California Institute of the Arts.