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The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content.The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content. The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content. 
Dmitry Teselkin, Adduc, Mr. Eko
When the World Began to Tick
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Mona Hatoum No Way III1996 Stainless steel Marieluise Hessel Collection Hessel Museum of Art  Center for Curatorial Studies Bard College AnnandaleonHudson New York  Mona Hatoum Courtesy the artist Photo Edward Woodman
Mona Hatoum, No Way III,1996. Stainless steel. Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York. © Mona Hatoum. Courtesy the artist. Photo: Edward Woodman

From the Collection: First Year Curatorial Practice 2022

Exhibition on view: December 1 – December 11, 2022, CCS Bard Galleries

Opening Reception: Thursday, December 1, 2022, 5:00 - 7:00

From the Collection: First-Year Curatorial Practice 2022 comprises four exhibitions curated in groups by the M.A. candidates of the Class of 2024. These four shows, organized in the context of a yearlong course focusing on curatorial practice, consist of artworks drawn from the Marieluise Hessel Collection.

The first of the CCS Bard Galleries features In Every Dream Home a Heartache, which contemplates the tensions between domesticity and the body.

Next, Watermarks: Bodies of Myth  recasts mythology as a space where those relegated to the margins gain the means for self-refiguration.

In the following gallery, No One Is Bored  brings together artworks that ponder whether boredom could serve as a survival kit, particularly in an age where time is a currency to be saved, carefully spent, and earned back with labor.

Finally, Adverse Possession explores the ways in which artworks and their authors occupy both physical and imaginary space.

Featured artists include Richard Artschwager, Tina Barney, Louise Bourgeois, Paul Chan, Anne Collier, Tony Cragg, Moyra Davey, Aria Dean, Kerry Downey, Liam Gillick, David Hammons, Rachel Harrison, Mona Hatoum, Vlatka Horvat, On Kawara, Yayoi Kusama, Marisa Merz, Marilyn Minter, Bruce Nauman, Otobong Nkanga, Gabriel Orozco, Frida Orupabo, Cameron Rowland, Alessandra Sanguinetti, Cindy Sherman, Malick Sidibé, Laurie Simmons, Kiki Smith, Thomas Struth, Rosemarie Trockel, Cosima von Bonin, and Andrea Zittel.

Now accepting applications for our M.A. in Curatorial Studies - deadline to apply is February 1, 2023. More information here.

CSS BARD
Center for Curatorial Studies
Hessel Museum of Art
Bard College
Annandale-on-Hudson, NY 12504

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60596 Frankfurt am Main
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