Menu
The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content.The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content. The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content. 
Cosima von Bonin: 7000 Palmen, 2025 © Cosima von Bonin, documenta und Museum Fridericianum gGmbH
7000 Palmen
Image: © Alisa Margolis (after Albrecht Dürer "Witch Riding Backwards on a Goat")
Chaosmosis
PIGEON VIEWS
Villa Karma
Pictured: Taylor Map of New York, 1879 published by Galt & Hoy
The City Transformed
Rushes
25-Hour Economy
PostOst Re:Vision
Witnessing Witnessing
Shards of Sisyphus
Close

Pause: Evelyn Taocheng Wang

What is he afraid of?

Opening: 26 September 2018, 7 pm
27–30 September 2018

Admission: 5 €, reduced 3 €
Free admission on Thursday evenings between 6–9 pm
Part of Berlin Art Week 26 -30 September 2018

The work of Evelyn Taocheng Wang (born 1981, CN) emerges from an interest in what constitutes identity, as well as how one’s own body is culturally relative to—and intertwined with—autobiographical structures. For KW Institute for Contemporary Art’s series Pause, Wang will present a completely new body of work, consisting of two films and an installation of large-scale fabrics. Pause is envisioned as a platform to punctuate the program by presenting a singular installation for a short period of time in order to bridge relationships between the past, present and future.

The new work is a result of Wang’s reflection on differing versions of mythologies that derive from various origins and have been written, altered, edited, and retold over time in different cultural contexts, with a particular focus on the fairy tale of The Princess and the Frog. Across all of these contexts, the tale is closely related to questions of transformation and the idea that identity is fluid and adaptable.

Taking the notion of the fictionalization of characters as well as an actual architectural site, the exhibition becomes a space where narratives are translated into a spatial structure within KW’s main hall. The institution’s premises symbolize both the architecture of the body and its structure in the process of transformation.

Curators: Maurin Dietrich, Cathrin Mayer

With kind support of the Dutch Embassy and Galerie Fons Welters, Amsterdam

KW Institute for Contemporary Art
KUNST-WERKE BERLIN e. V.
Auguststraße 69
10117 Berlin

Contact
Hochschule für Bildende Künste–Städelschule
Dürerstraße 10
60596 Frankfurt am Main
Daimlerstraße 32
60314 Frankfurt am Main
  • Newsletter
  • Vimeo →
  • Imprint
    Privacy Policy
    Accessibility
  • News

    • Calendar
    • Blackboard
    • Canteen
    • Press
    • Newsletter
    • Jobs
  • Städelschule

    • Profile
    • Faculty
    • Administration icon
    • Awareness Team
    • History
    • Archive
    • Alumni
  • Study

    • About Study
    • Students icon
    • Curriculum
    • Facilities icon
    • Cooperative Studies
    • Downloads
  • Application

    • Overview
    • Full-time Studies
    • Guest Studies
    • Exchange Studies
    • Guest Auditors
  • Public Programs

    • In General
    • Rundgang icon
    • Graduate Shows icon
    • Lectures
    • Portikus
    • Publications
  • Research

    • About Research
    • Institute for Art Criticism
    • Projects icon
    • Symposia icon
    • Guidelines
  • Friends and Supporters

    • General Information
    • Städelschule Portikus e.V. icon
    • Foundation Städelschule
    • Supporters
    • Partners
    • Editions