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The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content.The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content. The Blackboard shows a loose collection of events organized by the Städelschule Community. The Hochschule für Bildende Künste–Städelschule is not responsible for the content. 
Analytische Malerei und DeKonstrukte
En Suite
Lecture
Deferred Artistic Production
DUFTPYRAMIDE XXS
Lucie Stahl, Machinist I, 2019, Inkjet print mounted on aluminium, plexiglass, steel screws, 70 x 105 cm
Basel Social Club 2025
TOWN
Unsettled Territories
TWINGO
Cosima von Bonin: 7000 Palmen, 2025 © Cosima von Bonin, documenta und Museum Fridericianum gGmbH
7000 Palmen
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Positioner

Lena Henke, Ravi Jackson, Julien Nguyen, Julia Phillips, and Paul Mpagi Sepuya.

October 13 - December 22, 2018
1062 North Orange Grove
7818 Santa Monica Boulevard
Opening Saturday, October 13, 3 - 5 PM

Positioner focuses on the ways in which artists today are approaching one of the oldest traditions in visual art: the depiction of an individual. Representation, figuration, and portraiture all carry with them implications of power, visibility, and identity. The artists in this exhibition, working in a broad range of media, expand upon and push against these histories, suggesting more inclusive and critically-engaged ways forward. The title of the exhibition is borrowed from Julia Phillips, whose work often alludes to the unseen nature of institutionalized discrimination.

The notion of visibility is central to Paul Mpagi Sepuya’s work, in which bodies are revealed, mirrored, and reimagined. In these works, the artist’s studio becomes a site for introspection, collaboration, and experimentation. The human body is referenced but decidedly absent in the ceramic sculptures of Julia Phillips. Her haunting tableaus speak to, in the words of writer Nana Adusei-Poku, “the simultaneous fragility and power of the ideologies that dominate our lives, interactions, and emotional landscapes.”

Julien Nguyen looks to an unlikely source of inspiration in his newest work: the oft-maligned painter of a certain rugged vision of America, Andrew Wyeth. For Nguyen, Vietnamese-American and gay, to access Wyeth’s notably straight and white domain is both a pointed and poignant act. In Die Kommenden (2018) Lena Henke retools iconic modernist sculptures in the likeness of her family members — notably, Henke has appropriated a Matisse nude for her own stand-in. A rough-hewn structure in the German half-timber fachwerkhaus style houses the sculptures, drawing attention to the mutability of national identity. Ravi Jackson’s work combines brightly hued painterly gestures, occasionally brash pop-culture imagery, and a sense of construction in line with assemblage. In his works included here, Jackson addresses white toxic masculinity with an almost manic glee.

Positioner is on view at 1062 North Orange Grove and 7818 Santa Monica Boulevard from October 13 to December 22, 2018, Tuesday through Saturday, from 10:00 AM to 6:00 PM.

Matthew Marks Gallery
1062 North Orange Grove
Los Angeles 90046

Contact
Hochschule für Bildende Künste–Städelschule
Dürerstraße 10
60596 Frankfurt am Main
Daimlerstraße 32
60314 Frankfurt am Main
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