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Das Blackboard zeigt eine lose Sammlung an Veranstaltungen der Städelschule Community. Die Hochschule für Bildende Künste–Städelschule ist nicht verantwortlich für die Inhalte.Das Blackboard zeigt eine lose Sammlung an Veranstaltungen der Städelschule Community. Die Hochschule für Bildende Künste–Städelschule ist nicht verantwortlich für die Inhalte. Das Blackboard zeigt eine lose Sammlung an Veranstaltungen der Städelschule Community. Die Hochschule für Bildende Künste–Städelschule ist nicht verantwortlich für die Inhalte. 
Louise Giovanelli, Latebrae (Detail), 2024, Courtesy die Künstlerin und White Cube, London, © DACS 2025, Foto: © White Cube (David Westwood)
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intimacy with mortals 1 2022 photo Trevor Good
intimacy with mortals 1, 2022, photo: Trevor Good

intimacy with mortals

10/12/22-18/02/23

opening on Friday 09/12/22, 6-8pm

Peles Empire repurpose, reimagine and deconstruct our world of historically known meaning. Throughout ‘intimacy with mortals’ at WENTRUP, Peles Empire create slippages of comprehension, subverting the stable context of people and places who have been utilised historically and contemporaneously to construct hegemony. Historical icons of fertility, including Cleopatra, Aphrodite, the pomegranate and mammalian monoliths take centre stage in this new exhibition, which features several of Peles Empire’s idiosyncratic jesmonite panels and ceramic works. Aphrodite is a key protagonist in the exhibition who, like Cleopatra, has been a passive and instrumentalised subject of the male gaze for Millenia. For centuries the iconic status of Aphrodite has shifted, her meaning repeatedly emptied out and re-filled, as a method of coercion to construct new meaning, and thus societal manipulation; from penile clay objects to bearded figurines to her most famous construction by Sandro Boticelli. Throughout the exhibition this allusion to both the precarity and violence of meaning is alluded to. From the confrontational and almost pornographic ceramic representation of the pomegranate, deliberately suspended in raw clay as a nod to the potential of objectified meaning, violently ripped apart to reveal its overly abundant mammellian structure, it’s excessive fertility both seductive and grotesque; to the jesmonite panels, caught in the process of creation, a freezing of time to include studio detritus, veneered historical icons, all flattened onto the same axis in an effort to remove hierarchy and illustrate our ingrained systemic prejudices and the abusive potential of storytelling to objectify meaning.
Text: Helen Turner

WENTRUP
Knesebeckstraße 95
10623 Berlin

Opening hours:
Tuesday – Saturday 11 am – 6 pm

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Hochschule für Bildende Künste–Städelschule
Dürerstraße 10
60596 Frankfurt am Main
Daimlerstraße 32
60314 Frankfurt am Main
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