Do it yourself. Deskilling and Reskilling in the Digital Techno Age.
Ringvorlesung Institut für Kunstkritik
Julia Gelshorn: Living Networks. Rhizomatic Narration in the work of Renée Green and Tacita Dean
Dienstag, 13. Dezember 2016, 19 Uhr, Aula
How do artists confront the acceleration, immaterialization and constant connectedness of our global network society? How do new technologies affect models of subjectivity and of artistic skills?
The paper, that Julia Gelshorn will present, discusses two case studies related to the artists Renée Green and Tacita Dean who make use of digression, deceleration, location, and materialization in order to create the experience of space and duration. What is the relation between stories and history, what role does the location play in contrast to the idea of global flow? In the work of Green and Dean, the biographic narration of networked selves becomes an exemplary microcosm as part of a large continuum of contingencies and analogies. The network as the paradigm of our contemporary world is thereby aesthetically and ideologically revaluated and filled with “life”.
Julia Gelshorn (1974, Aachen) studied art history, theater, film and media, as well as Italian language and literature in Cologne and in Bern. In 2003 she recieved her PHD with a dissertation on "Appropiating Art History. Strategies of Repetition in the work of Gerhard Richter and Sigmar Polke". After teaching and research stints at universities in Zurich, Paris, Karlsruhe, Vienna and Hamburg, she has since 2013 been professor of art history at the University of Fribourg (CH).
Program:
Winter semester 2016/2017:
Julia Gelshorn (13. Dezember)
Rachel Haidu (14. Dezember)
Amalia Ulman (17. Januar)
John Roberts (18. Januar)
Summer semester 2016:
Lucy McKenzie (12. April)
Benjamin Buchloh (22. Juni)
Beatrice von Bismarck (23. Juni)
Julia Gelshorn (12. Juli)
This lecture-series (conceptualized by Isabelle Graw) revolves around the question of artistic skills in a digital world. What do they actually consist of? While it always mattered how an artist performs herself since the Modern Age, it seems that the „Auftritt des Künstlers“ (Beatrice von Bismarck), namely, her public staging of herself, has become increasingly important in a Media Society. Has the modeling of her „personality“ turned into a skill that is required from her? Or should one rather argue that artistic practices still represent other competences, attitudes and ways of life that question the ideal of an entrepreneurial self? What have traditional skills been replaced by?
It seems that the deskilling of the arts that is usually associated with the „Duchamp-effect“ and post war practices allowed for a reskilling that is currently quite popular in the artworld. Is it a historical necessity that deskilling entails reskilling? Historically speaking, „deskilling“ was a male privilege in the 1950´s and 1960´s. Many male artists opted for anti-subjective aleatory procedures that rejected skills, whereas women artists practiced another form of deskilling in the 1970´s by reintroducing formerly devaluated, „female skills“ into their work. Could one argue, at least in retrospect, that it is precisely these lower or soft skills associated with the sphere of reproduction that are have risen to the status of a valuable resource in our New Economy?
Today
Ongoing
Kasper König (1943–2024)
Obituary, 9 August – 9 September 2024
Vera Palme: The And
Lecture, 9 July 2024, 19:00
Zasha Colah
Lecture, 2 July 2024, 19:00
The Call
Exhibition, 28 June – 21 July 2024
Dylan Solomon KRAUS: The Seventh Point on the Six Sided Die
Lecture, 11 June 2024, 19:00
Listening Session
Event, 3 June 2024, 17:00–20:00
Tarik Kiswanson
Lecture, 28 May 2024, 19:00
Guerilla Architects: WE ARE SORRY!
Lecture, 21 May 2024, 19:00
Pio Abad: To Those Sitting in Darkness
Lecture, 14 May 2024, 19:00
Sir Peter Cook: CONSIDERING THE PICTURESQUE
Lecture, 13 May 2024, 19:00
Débora Delmar: Property
Lecture, 7 May 2024, 19:00
JUNGE KUNST MIT ZUKUNFT
Event, 4 May 2024, 18:00
Elisa R. Linn: The Berlin Wall as a Condom
Lecture, 2 May 2024, 19:00
R.H. Quaytman: Book
Lecture, 30 April 2024, 19:00
Camille Norment: Cultural Psychoacoustics
Lecture, 23 April 2024, 19:00
Phillip Zaiser (1969–2024)
Obituary, 6 April – 6 May 2024
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Information, 25 March – 31 May 2024
Water Cooler Talks 2024
Event, 10 February 2024, 10:00–18:00
Rundgang 2024
Exhibition, 9 – 11 February 2024, 10:00–20:00
Nora Turato: Lecture
Lecture, 6 February 2024, 19:00
Oladélé Ajiboyé Bamgboyé: Unmasking Series–Towards Public Co-creation
Lecture, 30 January 2024, 19:00
Unextractable? Sammy Baloji and Bénédicte Savoy in Conversation
Lecture, 25 January 2024, 19:00
Manon de Boer: Three Films
Lecture & Screening, 22 – 23 January 2024, 19:00
Ann Demeester: The Museum as Transhistorical ‘Garden of Consciousness’?
Lecture, 16 January 2024, 19:00
Moritz Fehr: Evocation, Installation, Simulation
Lecture, 9 January 2024, 19:00
![Image courtesy of Tacita Dean WG Sebald Detail 2003](https://cms.staedelschule.de/site/assets/files/3549/dean.1792x936.jpg)
Julia Gelshorn: Living Networks. Rhizomatic Narration in the work of Renée Green and Tacita Dean
Lecture 13 December 2016, 19:00 Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main