Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Opening hours: Tue–Sun, 10am–6pm; Thu, 10am–9pm
Opening: Tuesday, July 15, 2025, 7pm–10pm
Today
Ongoing
Summer Semester 2025
Information, 22 April – 25 July 2025
Upcoming
Tanya Lukin Linklater: _structural_flex_
Lecture, 8 July 2025, 19:00
Overture – Graduate Exhibition
Exhibition, 15 July – 10 August 2025, 19:00
Florence Jung: Doing nothing?
Lecture, 24 June 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Lecture, 17 June 2025, 19:00
Adir Jan & Emrah Gökmen: On the Shores of the Munzur, on the Shores of the Murat
Concert, 12 June 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Lecture, 10 June 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Lecture, 3 June 2025, 19:00
Jimmy Robert
Lecture, 27 May 2025, 19:00
Klein: No Degree, No Budget, No Problem
Lecture (20.5.) Concert (21.5.), 20 – 21 May 2025
Julian Irlinger: Reanimation and Reconstruction
Lecture, 13 May 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8 May 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Screening (5.5.) Lecture (6.5.), 5 – 6 May 2025, 19:00
Helen Marten: Animal Hours
Lecture, 29 April 2025, 19:00
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Application, 10 April – 31 May 2025
Semester Break Spring 2025
Information, 14 February – 21 April 2025
Water Cooler Talks 2025
Event, 8 – 9 February 2025
Rundgang 2025
Exhibition, 7 – 9 February 2025, 10:00–20:00
Trisha Donnelly
Lecture, 30 January 2025, 19:00
Kerstin Brätsch: Parasite Painting
Lecture, 28 January 2025, 19:00
Emma Enderby: Curating in and out of Place
Lecture, 14 January 2025, 19:00

İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
A musical, cinematic, narrated journey through 50 years of immigration in Germany. Berlin author İmran Ayata and Munich theatre maker and musician Bülent Kullukçu collected and researched songs from the early 1960s to the early 1990s by musicians who came to Germany from Turkey. With Songs of Gastarbeiter Vol. 1, they released a compilation of 16 tracks in 2013 – a blend of Anatolian disco-folk and spoken word, once heard at celebrations, weddings, and political gatherings. These include workers’ songs, pop songs and songs about ‘Almanya’ as a ‘bitter home’. They speak of being outsiders, of feeling foreign – and of experiences of exclusion and racism. These songs not only offer sharp insights into German society but also present new images of the country, directed at the majority population. But it didn’t listen.
İmran Ayata and Bülent Kullukçu released two albums together, Songs of Gastarbeiter Vol. 1 (2013) and Vol. 2 (2022). İmran Ayata is a cultural activist and author. He studied political science in Frankfurt am Main, was editor of the magazine Die Beute. Politik und Verbrechen and is co-founder of Kanak Attak. Ayata publishes literary contributions in magazines and anthologies in Germany and Turkey. His first book, Hürriyet Love Express (Kiwi Verlag), was published in 2005, followed by the highly acclaimed novel Mein Name ist Revolution (Blumenbar Verlag) in 2011 and Ruhm und Ruin (Verbrecher Verlag) in 2015. Bülent Kullukçu is a director, visual artist, composer, curator and gallery owner. He works with analogue and digital media, realizing exhibitions and projects in public spaces in Germany and abroad. As a director, he has realized over 80 theatre and performance productions. As a musician and producer, he has led numerous national and international music projects in the field of club and festival culture. He composes for theatres and independent productions, has created film music and radio plays (including for BR and WDR), sound installations for museums and various vinyl and CD releases worldwide.
The music lecture by İmran Ayata and Bülent Kullukçu is part of Dr. Gürsoy Doğtaş’ QuiS Research Fellowship at the Städelschule throughout the winter semester 2024/25 and summer semester 2025, which explores the history of migrant labor in Germany and the cultural, activist and artistic practices associated with it. This semester, the focus is on how social power structures can be challenged through a politics of listening. The program of the QuiS Research Fellowship is made possible by the generous support of the Hessian Ministry of Science and Research, Art and Culture.
The Music Lecture will be held in English.