Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Opening hours: Tue–Sun, 10am–6pm; Thu, 10am–9pm
Opening: Tuesday, July 15, 2025, 7pm–10pm
Today
Ongoing
Summer Semester 2025
Information, 22 April – 25 July 2025
Overture – Graduate Exhibition
Exhibition, 15 July – 10 August 2025, 19:00
Upcoming
Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
Lecture, 16 July 2025, 19:00
Tanya Lukin Linklater: _structural_flex_
Lecture, 8 July 2025, 19:00
Florence Jung: Doing nothing?
Lecture, 24 June 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Lecture, 17 June 2025, 19:00
Adir Jan & Emrah Gökmen: On the Shores of the Munzur, on the Shores of the Murat
Concert, 12 June 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Lecture, 10 June 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Lecture, 3 June 2025, 19:00
Jimmy Robert
Lecture, 27 May 2025, 19:00
Klein: No Degree, No Budget, No Problem
Lecture (20.5.) Concert (21.5.), 20 – 21 May 2025
Julian Irlinger: Reanimation and Reconstruction
Lecture, 13 May 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8 May 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Screening (5.5.) Lecture (6.5.), 5 – 6 May 2025, 19:00
Helen Marten: Animal Hours
Lecture, 29 April 2025, 19:00
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Application, 10 April – 31 May 2025
Semester Break Spring 2025
Information, 14 February – 21 April 2025
Water Cooler Talks 2025
Event, 8 – 9 February 2025
Rundgang 2025
Exhibition, 7 – 9 February 2025, 10:00–20:00
Trisha Donnelly
Lecture, 30 January 2025, 19:00
Kerstin Brätsch: Parasite Painting
Lecture, 28 January 2025, 19:00
Emma Enderby: Curating in and out of Place
Lecture, 14 January 2025, 19:00

Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
This lecture revisits the classical definition of shot/counter shot technique, with a focus on instances where the reverse is internalized within a single frame. Rather than relying solely on traditional editing patterns, Mroué will explore alternative strategies that challenge conventional cinematic grammar. By analyzing these variations, the lecture aims to open up new ways of thinking about point of view, relational space, and narrative construction.
Rabih Mroué is a theatre director, actor, visual artist and playwright. Rooted in theatre, his work includes videos and installation art. In 1990 he began putting on his own plays, performances, and videos. Continuously searching for alternative and contemporary relations among all the different elements and languages of the theatre art forms, Mroué questions the definitions of theatre and its relationship with the other art media and performing practices. He is a contributing editor for The Drama Review/TDR (New York). He is also a co-founder and a board member of the Beirut Art Center (BAC). He was a fellow at The International Research Center: “Interweaving Performance Cultures” (FU Berlin) from 2012 to 2015. His works include: Four Walls and a Roof (2024), Hartakāt (2023), Sunny Sunday (2020), Borborygmus (2019), So Little Time (2016), Ode to Joy (2015), Riding on a cloud (2013), 33 RPM and a Few Seconds (2012), and others.