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HYGIENE CONCEPT

Information, 9 May 2022 – 12 February 2023

Summer Term Break 2022

Information, 18 July – 9 October 2022

In loving memory of Helke Bayrle (1941–2022)

Information, 14 September – 2 October 2022

The Mensa is taking a break!

Information, 19 September – 30 October 2022

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Winter semester 2022/23

Information, 10 October 2022 – 10 February 2023

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GASTHOF 2022 "OPEN HOUSE"

Event, 9 July 2022

Hassan Khan: The Infinite Hip-Hop Song Live!

Konzert, 9 July 2022, 21:30–22:45

Gasthof at Robert Johnson

Party, 7 July 2022, 22:00

MEDIUM RARE — Absolventenausstellung 2022

Exhibition, 2 – 17 July 2022

ALMOST ALIVE—Graduate Party

Event, 1 July 2022, 23:00

‘Absolventen’ prizes

Information, 1 – 10 July 2022

Asad Raza "Diversion" at Portikus

Exhibition, 25 June – 25 September 2022

Asad Raza: Metabolisms

Lecture, 21 June 2022, 19:00

Anthony Huberman: Bang on a Can

Lecture, 13 June 2022, 19:00

Sung Tieu: Ghosts In The Machine

Lecture, 7 June 2022, 19:00

Lecture: ruangrupa

Lecture, 31 May 2022, 19:00

Lecture: Neïl Beloufa

Lecture, 10 May 2022, 19:00

Lectures Summer Semester 2022

Lecture, 26 April – 28 June 2022, 19:00

Summer semester 2022

Information, 11 April – 15 July 2022

Daniel Birnbaum: Notes on the frames of art

Event, 10 April 2022, 15:00–17:00

Jochen Lempert at Portikus

Exhibition, 12 March – 5 June 2022

Winter Term break 2022

Information, 21 February – 10 April 2022

Rundgang Award Winners

Information, 18 – 20 February 2022

Judith Hopf Class: Grand Nizza Show

Class Project, 18 February – 11 March 2022

Rundgang 2022

Exhibition, 18 – 20 February 2022, 10:00–20:00

Pan Daijing

Online Lecture, 10 February 2022

Jordy Rosenberg: Lift Rift

Online Lecture, 2 February 2022

Ulrike Müller: Moving More Parts

Online Lecture, 25 January 2022

Park McArthur

Online Lecture, 18 January 2022

Sam Durant: Public Discourse?

Online Lecture, 11 January 2022

Nana Oforiatta Ayim: AYAN – New Ways of Seeing

Lecture11 November 2019, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

Ways of historicising that are seemingly authoritative, singular, hierarchical subjective and linear, are giving way to more pluralistic, fluid ways of conveying narratives. One of these ways is the Ayan, a form of musical language and history telling of the Akan people of West Africa, that is allusive, elliptical, and multi-textured. Nana Oforiatta Ayim has drawn on the form of the Ayan as well as its multivocality in her writing, films, and art historical work; including creating a Mobile Museum and Cultural Encyclopaedia that are predicted on collaborative identity-making, fluidity of interpretation, and polyrhythmic open-endedness of text; that aim to question and create continuously new realities.

Nana Oforiatta Ayim is a writer, filmmaker, and art historian. She studied Russian and Politics and worked for the Eastern European section of the Department of Political Affairs of the United Nations. She then went on to do a Masters in African Art History, curating exhibitions such as Ghana's first pavilion at the Venice Biennale, speaking globally on cultural narratives and institution-building, as well as writing for frieze, ArtNews, and African Metropolitan Architecture. She has made several films, bringing together fiction, travel essay, and documentary, that have been shown at museums like The New Museum, Tate Modern, and LACMA.
Nana Oforiatta Ayim is the recipient of the 2015 Art & Technology Award from LACMA, the 2016 AIR Award, and the inaugural 2018 Soros Arts Fellowship. She has been named one of the Apollo ‘40 under 40’; one of 50 African Trailblazers by The Africa Report; one of 12 African women making history by Okayafrica; and a Quartz Africa Innovator; and is a 2018 Global South Visiting Fellow at Oxford University. Her first novel, The God Child, is being published by Bloomsbury Publishing in November 2019.