Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
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Opening: Tuesday, July 15, 2025, 7pm–10pm
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Information, 22 April – 25 July 2025
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Tanya Lukin Linklater: _structural_flex_
Lecture, 8 July 2025, 19:00
Overture – Graduate Exhibition
Exhibition, 15 July – 10 August 2025, 19:00
Florence Jung: Doing nothing?
Lecture, 24 June 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Lecture, 17 June 2025, 19:00
Adir Jan & Emrah Gökmen: On the Shores of the Munzur, on the Shores of the Murat
Concert, 12 June 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Lecture, 10 June 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Lecture, 3 June 2025, 19:00
Jimmy Robert
Lecture, 27 May 2025, 19:00
Klein: No Degree, No Budget, No Problem
Lecture (20.5.) Concert (21.5.), 20 – 21 May 2025
Julian Irlinger: Reanimation and Reconstruction
Lecture, 13 May 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8 May 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Screening (5.5.) Lecture (6.5.), 5 – 6 May 2025, 19:00
Helen Marten: Animal Hours
Lecture, 29 April 2025, 19:00
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Application, 10 April – 31 May 2025
Semester Break Spring 2025
Information, 14 February – 21 April 2025
Water Cooler Talks 2025
Event, 8 – 9 February 2025
Rundgang 2025
Exhibition, 7 – 9 February 2025, 10:00–20:00
Trisha Donnelly
Lecture, 30 January 2025, 19:00
Kerstin Brätsch: Parasite Painting
Lecture, 28 January 2025, 19:00
Emma Enderby: Curating in and out of Place
Lecture, 14 January 2025, 19:00

Haig Aivazian: World / AntiWorld: On Seeing Double
Lecture
Haig Aivazian: World/AntiWorld: On Seeing Double
Tuesday, May 8th 2018, 7 pm, Aula
World/AntiWorld: On Seeing Double grapples with the ways in which our selves are collectively and individually constituted and de-constituted by the intersecting gazes of law, capital and machines. Structured around the three explosions that occurred at the Stade de France in November 2015, the narrative of this lecture takes on the history and futures of surveillance technologies and the so-called subjects they construct. With a particular focus on the increasing difficulty to differentiate between populations of colonies, war zones, and ghettoes, or to clearly delineate the territorial boundaries between them, Aivazian looks at the preemptive and corrective regimes triggered by the back and forth passage between the state of law and the state of exception. The narrative is weaved in and out of the stadium, and told with the help of found online material, to present us with a world that we inhabit together: a world we are always at once familiar with, and alien to.
Haig Aivazian is an artist living in Beirut. Working across a wide range of media, he delves into the ways in which ideologies embed, affect and move people, objects and architecture. Often departing from known events, and weaving in lesser known narratives, he has explored the workings of history writing and sovereignty at work in sports, finance, museums and music.