On the equally specific and general, productive and reproductive, material and immaterial nature of artistic labour.
Today
Ongoing
Winter Semester 2023/24
Information, 16 October 2023 – 9 February 2024
Lectures Winter Semester 2023/24
Information, 7 November 2023 – 6 February 2024
Upcoming
Rundgang 2024
Exhibition, 9 – 11 February 2024, 10:00–20:00
Nika Dubrovsky: Another art world: Art Communism and Artificial Scarcity
Lecture, 28 November 2023, 19:00
Iris Touliatou: In this Economy
Lecture, 21 November 2023, 19:00
Gareth Evans: An Act of Care: Curation–A Modest Proposal
Lecture, 13 – 14 November 2023, 19:00
Helena Uambembe: Creating Myth for a historical understanding
Lecture, 7 November 2023, 19:00
Summer Term Break 2023
Information, 17 July – 13 October 2023
GROTTO – Graduate Show 2023
Exhibition, 14 – 30 July 2023
Hoor Al Qasimi: Sharjah Biennial 15. Thinking Historically in the Present
Lecture, 4 July 2023, 19:00
Manthia Diawara & Monika Szewczyk: AI: African Intelligence
Screening, 28 June 2023, 20:15
Lynn Rother: Uncanny provenance. Art history and its double
Lecture, 27 June 2023, 19:00
Slavs and Tatars: The Transliterative Tease
Lecture, 20 June 2023
Amt 45 i: Talks
Symposium, 17 June 2023, 14:00–20:30
another night in daimler
Konzert, 16 June 2023, 20:00
Jacqui Davies: Playing with Fire or the perils of working at the intersection of art and film
Lecture, 13 June 2023, 19:00
Willem de Rooij: King Vulture
Lecture, 6 June 2023, 19:00
Vittoria Martini & Thomas Hirschhorn: The Ambassador’s Diary
Talk, 1 June 2023
Tarek Lakhrissi: Beastangel
Lecture, 16 May 2023
Éric Baudelaire: When There is No More Music to Write (Lecture)
Lecture, 9 May 2023
Éric Baudelaire: When There is No More Music to Write (Screening)
Screening, 8 May 2023
Lectures Summer Semester 2023
Lecture, 2 May – 7 July 2023
Grada Kilomba: A conversation about the 35th Bienal de São Paulo
Lecture, 2 May 2023, 19:00
Summer Semester 2023
Information, 11 April – 14 July 2023
Admission Period for Full-time Studies in Fine Arts 2023/24
Information, 1 – 30 April 2023
Lap-See Lam "Tales of the Altersea" at Portikus
Exhibition, 11 March – 28 May 2023
Peter Weibel (1944–2023)
Information, 1 – 15 March 2023
Winter Term Break 2022/23
Information, 13 February – 10 April 2023
The Mensa is taking a break!
Information, 13 – 20 February 2023
Rundgang 2023
Exhibition, 10 – 12 February 2023, 10:00–20:00
Water Cooler Talks 2023
Lecture, 10 – 12 February 2023
Rundgang Film Program at DFF
Exhibition, 10 – 12 February 2023
Rundgang Party 2023
Party, 10 February 2023, 23:00
Rundgang Awards 2023
Information, 10 – 24 February 2023
On the Benefits of Friendship—A symposium in honor of Prof. Dr. Isabelle Graw
Symposium, 27 January 2023, 14:00–18:00
Adam Shiu-Yang Shaw: city limits
Lecture, 24 January 2023, 19:00
Christina Li: Time, dispossessed
Lecture, 17 January 2023, 19:00

Michal Heiman: Forgotten Histories / Female Objectors to Photography
Michal Heiman is the first artist invited to be part of the Curatorial Studies’ exhibition series Subject:Fwd:Unknown. In her lecture, she will talk about her practice, focusing on her most recent project, Radical Link , 1855-2019. The project began as Heiman came across a photograph, from circa 1855, of a woman in a London Asylum that bore a striking resemblance to her own adolescent self. This self recognition across centuries paved way to her proposal for a new model of 'Returns' and a new community – A New Community of Women, 1855-2019. Heiman seeks to envision the political, cultural, gendered and psychic conditions attached to this possibility of ‘return’. “We live amidst crises of displacement and flows of refugees” Heiman writes, “intransigent nationalism, people moving across borders and identities, fleeing, moving ahead, going elsewhere, and yet wishing to return; always wishing to return. And the right of return stands at the heart of many political debates. And Heiman asks “will we be able to forge a path to a ‘return’? Will the women of 1855 collaborate with the women of today, or will they object?”
Over the past three decades, the artist, curator and theorist Michal Heiman (b. 1954, Tel Aviv) has studied erased or forgotten histories and their visual aspects, offering alternative thematic, aesthetic, and theoretical matrices. Heiman explores and questions photography’s ability to penetrate traumatic experience. Her strategies include intervening in existing spaces, archives, books, works of art, historical events and case studies. In recent years she has been seeking to contribute to envisioning the political, cultural, gendered, and psychic conditions of possibilities of 'return' with its numerous inflections, attempting to create a new model of ‘returns' and a new community of women. She teaches at the Bezalel Academy of Art in Jerusalem and in 2015, she founded the Women in Academia organisation that protects and advances women’s equality in academia. The project Radical Link 1855-2019 is to be exhibited in Washington DC and in LA in 2019 and 2020 respectively.
The exhibition at fffriedrich opens 7PM, Thursday, October 18 in the Alte Mainzer Gasse. 4-6 and will remain open until October 28.