In the transfer of critical art from a zone of intervention to a zone of reception, a gap seems to arise. This gap seems to be very similar to the division between labor and profit in other globalized industries. Art may expose the need for change in Nigeria or Peru, but in the end it brings opportunity, beauty, and real estate value to Berlin-Mitte, or Chelsea and the Lower East Side in New York.
Eight hundred kilometers upstream from Kinshasa, on the river Congo, the Institute for Human Activities mobilizes the modalities of art production and launches a five-year Gentrification Program.
Renzo Martens is an artist who lives in Brussels. His work was shown at Tate Modern, The Berlin Biennial, Stedelijk Museum, Van Abbemuseum, as well as on TV.
Today
Ongoing
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Information, 25 March – 31 May 2024
Camille Norment: Cultural Psychoacoustics
Lecture, 23 April 2024, 19:00
R.H. Quaytman: Book
Lecture, 30 April 2024, 19:00
Water Cooler Talks 2024
Event, 10 February 2024, 10:00–18:00
Rundgang 2024
Exhibition, 9 – 11 February 2024, 10:00–20:00
Nora Turato: Lecture
Lecture, 6 February 2024, 19:00
Oladélé Ajiboyé Bamgboyé: Unmasking Series–Towards Public Co-creation
Lecture, 30 January 2024, 19:00
Unextractable? Sammy Baloji and Bénédicte Savoy in Conversation
Lecture, 25 January 2024, 19:00
Manon de Boer: Three Films
Lecture & Screening, 22 – 23 January 2024, 19:00
Ann Demeester: The Museum as Transhistorical ‘Garden of Consciousness’?
Lecture, 16 January 2024, 19:00
Moritz Fehr: Evocation, Installation, Simulation
Lecture, 9 January 2024, 19:00
Renzo Martens: On the Institute for Human Activities
Lecture 4 July 2012, 19:00 Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main