On the equally specific and general, productive and reproductive, material and immaterial nature of artistic labour.
Today
Ongoing
Winter Semester 2023/24
Information, 16 October 2023 – 9 February 2024
Lectures Winter Semester 2023/24
Information, 7 November 2023 – 6 February 2024
Upcoming
Rundgang 2024
Exhibition, 9 – 11 February 2024, 10:00–20:00
Nika Dubrovsky: Another art world: Art Communism and Artificial Scarcity
Lecture, 28 November 2023, 19:00
Iris Touliatou: In this Economy
Lecture, 21 November 2023, 19:00
Gareth Evans: An Act of Care: Curation–A Modest Proposal
Lecture, 13 – 14 November 2023, 19:00
Helena Uambembe: Creating Myth for a historical understanding
Lecture, 7 November 2023, 19:00
Summer Term Break 2023
Information, 17 July – 13 October 2023
GROTTO – Graduate Show 2023
Exhibition, 14 – 30 July 2023
Hoor Al Qasimi: Sharjah Biennial 15. Thinking Historically in the Present
Lecture, 4 July 2023, 19:00
Manthia Diawara & Monika Szewczyk: AI: African Intelligence
Screening, 28 June 2023, 20:15
Lynn Rother: Uncanny provenance. Art history and its double
Lecture, 27 June 2023, 19:00
Slavs and Tatars: The Transliterative Tease
Lecture, 20 June 2023
Amt 45 i: Talks
Symposium, 17 June 2023, 14:00–20:30
another night in daimler
Konzert, 16 June 2023, 20:00
Jacqui Davies: Playing with Fire or the perils of working at the intersection of art and film
Lecture, 13 June 2023, 19:00
Willem de Rooij: King Vulture
Lecture, 6 June 2023, 19:00
Vittoria Martini & Thomas Hirschhorn: The Ambassador’s Diary
Talk, 1 June 2023
Tarek Lakhrissi: Beastangel
Lecture, 16 May 2023
Éric Baudelaire: When There is No More Music to Write (Lecture)
Lecture, 9 May 2023
Éric Baudelaire: When There is No More Music to Write (Screening)
Screening, 8 May 2023
Lectures Summer Semester 2023
Lecture, 2 May – 7 July 2023
Grada Kilomba: A conversation about the 35th Bienal de São Paulo
Lecture, 2 May 2023, 19:00
Summer Semester 2023
Information, 11 April – 14 July 2023
Admission Period for Full-time Studies in Fine Arts 2023/24
Information, 1 – 30 April 2023
Lap-See Lam "Tales of the Altersea" at Portikus
Exhibition, 11 March – 28 May 2023
Peter Weibel (1944–2023)
Information, 1 – 15 March 2023
Winter Term Break 2022/23
Information, 13 February – 10 April 2023
The Mensa is taking a break!
Information, 13 – 20 February 2023
Rundgang 2023
Exhibition, 10 – 12 February 2023, 10:00–20:00
Water Cooler Talks 2023
Lecture, 10 – 12 February 2023
Rundgang Film Program at DFF
Exhibition, 10 – 12 February 2023
Rundgang Party 2023
Party, 10 February 2023, 23:00
Rundgang Awards 2023
Information, 10 – 24 February 2023
On the Benefits of Friendship—A symposium in honor of Prof. Dr. Isabelle Graw
Symposium, 27 January 2023, 14:00–18:00
Adam Shiu-Yang Shaw: city limits
Lecture, 24 January 2023, 19:00
Christina Li: Time, dispossessed
Lecture, 17 January 2023, 19:00

Allison Katz: We boil at different degrees
Lecture
Allison Katz: We boil at different degrees
Friday, February 1 2018, 7 pm, Aula
Are we bound by biography?
How can I assess my own taste?
What does it mean to consider the art world as an oral tradition?
Can we stay cool but queasy inside Keats’ “negative capability”?
Is my signature a sponge?
How to achieve the texture of life?
These questions will be addressed through a sequence of my recent exhibitions and decisions relating to structure, motif and repetition. I will also discuss how language – via naming, inversions, translation, punning, note taking, ghostwriting – can serve as a tool for deepening and converting experience into visual content.
Allison Katz (b. Montreal, Canada, currently based in London) has been the subject of institutional exhibitions at All Is On at Kunstverein Freiburg in Germany (2015) and Diary w/o Dates at Oakville Galleries, Canada (2018), traveling in May 2018 to the MIT List Visual Arts Centre, Boston, USA. Her first monographic catalogue will be published in December 2018. Katz spent the summer of 2017 in residence at the studio of Sol LeWitt in Spoleto, Italy. Her work has been included in group exhibitions at Tate St Ives, UK (2017); ICA Studio London (2015), South London Gallery, UK (2014); and Sculpture Center, USA (2014). In addition, she has worked in collaboration with DAS INSTITUT at the Serpentine Gallery, UK (2016) and with Fredrik Vaerslev at Bergen Kunsthall, NO and Le Consortium, FR (2016-2017). Her work has been featured on the cover of Frieze, CURA and Metropolis M magazines, in addition to articles and interviews in Art in America, The White Review, Border Crossings and BOMB. She has published texts for or with artists including Kerstin Brätsch, Sanya Kantarovsky and Charline von Heyl. Since 2013 she has variously been a tutor or visiting artist in London at the Slade, Goldsmiths, the Royal College of Art, and the Royal Academy. She graduated with an MFA from Columbia University, New York, in 2008.