On the equally specific and general, productive and reproductive, material and immaterial nature of artistic labour.
Today
Ongoing
Winter Semester 2023/24
Information, 16 October 2023 – 9 February 2024
Lectures Winter Semester 2023/24
Information, 7 November 2023 – 6 February 2024
Upcoming
Rundgang 2024
Exhibition, 9 – 11 February 2024, 10:00–20:00
Nika Dubrovsky: Another art world: Art Communism and Artificial Scarcity
Lecture, 28 November 2023, 19:00
Iris Touliatou: In this Economy
Lecture, 21 November 2023, 19:00
Gareth Evans: An Act of Care: Curation–A Modest Proposal
Lecture, 13 – 14 November 2023, 19:00
Helena Uambembe: Creating Myth for a historical understanding
Lecture, 7 November 2023, 19:00
Summer Term Break 2023
Information, 17 July – 13 October 2023
GROTTO – Graduate Show 2023
Exhibition, 14 – 30 July 2023
Hoor Al Qasimi: Sharjah Biennial 15. Thinking Historically in the Present
Lecture, 4 July 2023, 19:00
Manthia Diawara & Monika Szewczyk: AI: African Intelligence
Screening, 28 June 2023, 20:15
Lynn Rother: Uncanny provenance. Art history and its double
Lecture, 27 June 2023, 19:00
Slavs and Tatars: The Transliterative Tease
Lecture, 20 June 2023
Amt 45 i: Talks
Symposium, 17 June 2023, 14:00–20:30
another night in daimler
Konzert, 16 June 2023, 20:00
Jacqui Davies: Playing with Fire or the perils of working at the intersection of art and film
Lecture, 13 June 2023, 19:00
Willem de Rooij: King Vulture
Lecture, 6 June 2023, 19:00
Vittoria Martini & Thomas Hirschhorn: The Ambassador’s Diary
Talk, 1 June 2023
Tarek Lakhrissi: Beastangel
Lecture, 16 May 2023
Éric Baudelaire: When There is No More Music to Write (Lecture)
Lecture, 9 May 2023
Éric Baudelaire: When There is No More Music to Write (Screening)
Screening, 8 May 2023
Lectures Summer Semester 2023
Lecture, 2 May – 7 July 2023
Grada Kilomba: A conversation about the 35th Bienal de São Paulo
Lecture, 2 May 2023, 19:00
Summer Semester 2023
Information, 11 April – 14 July 2023
Admission Period for Full-time Studies in Fine Arts 2023/24
Information, 1 – 30 April 2023
Lap-See Lam "Tales of the Altersea" at Portikus
Exhibition, 11 March – 28 May 2023
Peter Weibel (1944–2023)
Information, 1 – 15 March 2023
Winter Term Break 2022/23
Information, 13 February – 10 April 2023
The Mensa is taking a break!
Information, 13 – 20 February 2023
Rundgang 2023
Exhibition, 10 – 12 February 2023, 10:00–20:00
Water Cooler Talks 2023
Lecture, 10 – 12 February 2023
Rundgang Film Program at DFF
Exhibition, 10 – 12 February 2023
Rundgang Party 2023
Party, 10 February 2023, 23:00
Rundgang Awards 2023
Information, 10 – 24 February 2023
On the Benefits of Friendship—A symposium in honor of Prof. Dr. Isabelle Graw
Symposium, 27 January 2023, 14:00–18:00
Adam Shiu-Yang Shaw: city limits
Lecture, 24 January 2023, 19:00
Christina Li: Time, dispossessed
Lecture, 17 January 2023, 19:00
Angela Lühning, Carl Haarnack, Willem de Rooij: Pierre Verger in Suriname

Speakers:
Angela Lühning – director Pierre Verger Foundation, Salvador da Bahia
Carl Haarnack – curator, writer, and archivist, founder of Buku - Bibliotheca Surinamica, Amsterdam
Willem de Rooij – artist and educator, Berlin
Moderation:
Oliver Hardt – filmmaker, Frankfurt am Main
Photographer, ethnologist, and babalawo Pierre Fátúmbí Verger (1902, Paris–1996, Salvador de Bahia) studied the relationships between cultures of the African diaspora and those of West Africa. In 1948, during an eight-day trip through Suriname, Verger made 257 photographs that today are kept in the Pierre Verger Foundation in Salvador da Bahia. How do these photographs relate both to the greater archive of images made in Suriname and also to Pierre Verger’s life’s work? And what does it mean for these images to be shown and seen in the context of contemporary art?
The exhibition Pierre Verger in Suriname by Willem de Rooij will be on view at Portikus, featuring a new installation in which de Rooij connects spectators and Verger’s images by means of a viewing device. A catalogue designed by Ronnie Fueglister with essays by Karin Amatmoekrim, Ayrson Heraclito, Philippe Pirotte, Willem de Rooij, Richard Price, and Gloria Wekker makes the complete suite of images accessible to a larger public for the first time.
Angela Lühning is the honorary director of the Pierre Verger Foundation where she has worked since its founding in 1988. In this capacity, she is committed to researching Pierre Fátúmbí Verger, helping interested researchers, and taking care of the archive. Furthermore, she develops courses for children and youth from the neighborhoods surrounding the archive, so they can experience and learn about different means of expression in Afro-Brazilian culture. Professionally, Lühning has been working as a musical ethnologist at the School of Music of the Federal University of Bahia (UFBA) since 1990, where she studies the musical diversity of Brazilian culture.
Carl Haarnack studied Political Science at the University of Amsterdam. He is the founder of Buku - Bibliotheca Surinamica, a bibliophile collection of antique books about Suriname. He writes for the magazine Parbode and the website www.buku.nl. He also publishes articles on the history of Suriname and colonial heritage. Haarnack is coauthor of Black is Beautiful, Rubens to Dumas (2008). He worked as a curator on the exhibition Slavery Depicted at the Special Collections of the University of Amsterdam in 2013. In 2019/2020 Haarnack was an advisor to the Grote Suriname exhibition in the Nieuwe Kerk in Amsterdam. In 2017 he published “Nachrichten von Surinam: Representations of a Dutch Colony in German Travel Literature”, in Travel Writing in Dutch and German, Routledge, 2017.
Oliver Hardt is a director and filmmaker based in Frankfurt am Main. In his documentaries, he frequently addresses the cultural dynamics of the African Diaspora with a strong emphasis on architecture, design and contemporary art. His filmography includes Black Deutschland, a cinematic exploration of Black life in Germany; The United States of Hoodoo, a road trip to the spiritual sources of African-American music and visual culture; David Adjaye – Collaborations, a portrait of the Ghanaian-British architect through the eyes of his friends, mentors, and collaborators; and most recently The Black Museum, a feature documentary about the new National Museum of African American History and Culture in Washington D.C.
Willem de Rooij investigates the workings of images through a variety of media. Collaborations and appropriations inform his artistic method, and his work has stimulated research in art history and ethnography. De Rooij mentors at Städelschule, Frankfurt am Main; Rijksakademie, Amsterdam; and BPA // Berlin program for artists, which he cofounded. He was a DAAD artist-in-residence in Berlin and a Robert Fulton Fellow at Harvard. He represented the Netherlands at the 51st Venice Biennale together with Jeroen de Rijke, his collaborator from 1994–2006. Recent institutional solo exhibitions were staged at KW Institute for Contemporary Art, Berlin; IMA Brisbane; Museum MMK für Moderne Kunst, Frankfurt am Main; Le Consortium, Dijon and the Jewish Museum, New York. Recent group exhibitions include the BDL Museum, Mumbai; the Hammer Museum, Los Angeles; the Jakarta Biennale; EVA International – Ireland's Biennial, Limerick; the 10th Shanghai Biennale and Raw Material Company, Dakar. Museum collections include Stedelijk Museum, Amsterdam; mumok, Vienna; Hamburger Bahnhof, Berlin; Centre Pompidou, Paris; MoMA, New York; and MOCA, Los Angeles.