On the equally specific and general, productive and reproductive, material and immaterial nature of artistic labour.
Today
Ongoing
Winter Semester 2023/24
Information, 16 October 2023 – 9 February 2024
Lectures Winter Semester 2023/24
Information, 7 November 2023 – 6 February 2024
Upcoming
Rundgang 2024
Exhibition, 9 – 11 February 2024, 10:00–20:00
Nika Dubrovsky: Another art world: Art Communism and Artificial Scarcity
Lecture, 28 November 2023, 19:00
Iris Touliatou: In this Economy
Lecture, 21 November 2023, 19:00
Gareth Evans: An Act of Care: Curation–A Modest Proposal
Lecture, 13 – 14 November 2023, 19:00
Helena Uambembe: Creating Myth for a historical understanding
Lecture, 7 November 2023, 19:00
Summer Term Break 2023
Information, 17 July – 13 October 2023
GROTTO – Graduate Show 2023
Exhibition, 14 – 30 July 2023
Hoor Al Qasimi: Sharjah Biennial 15. Thinking Historically in the Present
Lecture, 4 July 2023, 19:00
Manthia Diawara & Monika Szewczyk: AI: African Intelligence
Screening, 28 June 2023, 20:15
Lynn Rother: Uncanny provenance. Art history and its double
Lecture, 27 June 2023, 19:00
Slavs and Tatars: The Transliterative Tease
Lecture, 20 June 2023
Amt 45 i: Talks
Symposium, 17 June 2023, 14:00–20:30
another night in daimler
Konzert, 16 June 2023, 20:00
Jacqui Davies: Playing with Fire or the perils of working at the intersection of art and film
Lecture, 13 June 2023, 19:00
Willem de Rooij: King Vulture
Lecture, 6 June 2023, 19:00
Vittoria Martini & Thomas Hirschhorn: The Ambassador’s Diary
Talk, 1 June 2023
Tarek Lakhrissi: Beastangel
Lecture, 16 May 2023
Éric Baudelaire: When There is No More Music to Write (Lecture)
Lecture, 9 May 2023
Éric Baudelaire: When There is No More Music to Write (Screening)
Screening, 8 May 2023
Lectures Summer Semester 2023
Lecture, 2 May – 7 July 2023
Grada Kilomba: A conversation about the 35th Bienal de São Paulo
Lecture, 2 May 2023, 19:00
Summer Semester 2023
Information, 11 April – 14 July 2023
Admission Period for Full-time Studies in Fine Arts 2023/24
Information, 1 – 30 April 2023
Lap-See Lam "Tales of the Altersea" at Portikus
Exhibition, 11 March – 28 May 2023
Peter Weibel (1944–2023)
Information, 1 – 15 March 2023
Winter Term Break 2022/23
Information, 13 February – 10 April 2023
The Mensa is taking a break!
Information, 13 – 20 February 2023
Rundgang 2023
Exhibition, 10 – 12 February 2023, 10:00–20:00
Water Cooler Talks 2023
Lecture, 10 – 12 February 2023
Rundgang Film Program at DFF
Exhibition, 10 – 12 February 2023
Rundgang Party 2023
Party, 10 February 2023, 23:00
Rundgang Awards 2023
Information, 10 – 24 February 2023
On the Benefits of Friendship—A symposium in honor of Prof. Dr. Isabelle Graw
Symposium, 27 January 2023, 14:00–18:00
Adam Shiu-Yang Shaw: city limits
Lecture, 24 January 2023, 19:00
Christina Li: Time, dispossessed
Lecture, 17 January 2023, 19:00

DIS: Disillusioned
The DNA of the DIS vision is a total dis-orientation of what separates high from low, mainstream from marginal, and most importantly culture from commerce. Accomplices in the deterioration of boundaries and distinct categories of creative production, DIS aims for a truly horizontal exploration of fashion, art, culture, entertainment, lifestyle, and technology. DIS will give an overview of it's sprawling and promiscuous practice as well as insight into what the 9th Berlin Biennale may or may not be.
DIS is a New York-based collective composed of Lauren Boyle, Solomon Chase, Marco Roso and David Toro. Its cultural interventions are manifest across a range of media and platforms, from site-specific museum and gallery exhibitions to ongoing online projects. Most notably these include, DIS Magazine, a virtual platform that examines art, fashion, music and culture, constructing and supporting new creative practices. Since being founded, the magazine has expanded into an international community of writers, photographers, musicians and DJs. Recent ventures include DISimages, 2013, a fully operational stock photography agency that enlists artists to produce images available for private and commercial use, DISown, an ongoing concept store featuring products created by over 30 artists.
The collective was recently a part of the New Museum Triennial “Surround Audience” curated by Lauren Cornell and Ryan Trecartin, and participated in the group exhibition Co-Workers, at the Musée Moderne de la Ville de Paris, and the new photography show at the Museum of Modern Art, New York (2015) and is curating the 9th Berlin Biennale for Contemporary Art (2016).