Today

Akira Takayama, McDonald’s Radio University, 2017, photo: Masahiro Hasunuma

Akira Takayama: Richard Wagner meets McDonald's

Online Lecture, 7 July 2020, 19:00

Ongoing

Poster design: Maily Beyrens

Lecture Series Summer Semester — July 2020

Online Lecture, 2 – 31 July 2020

Upcoming

Hassan Khan, Isolated element from Happy Empire (2020) 920 x 320 cm. Computer generated mural digitally printed on ceramic tiles. Platform with Mylar Streamers.

Hassan Khan: The Keys to the Kingdom

Online Lecture, 9 July 2020, 19:00

Archive: 2020 NextPrevious

Chris Speed: Co-Designing with Things

Online Lecture, 2 July 2020, 19:00

André Vida: Chiral Rapture; or, the Ambiguities

Online Lecture, 30 June 2020, 19:00

Cooking Sections: Cases of Confusion

Online Lecture, 2 June 2020, 19:00

Lecture Series Summer Semester — June 2020

Online Lecture, 2 – 30 June 2020

Emilija Škarnulytė: Sunken City

Online Lecture, 21 May 2020, 19:00

Lucy Cotter: Reclaiming Artistic Research

Online Lecture, 19 May 2020, 19:00

Iman Issa: Proxies, with a Life of Their Own

Online Lecture, 5 May 2020, 19:00

Ulrika Karlsson: Interiors after Images

Lecture, 20 February 2020, 19:00

Water Cooler Talks

Event, 14 – 16 February 2020

Rundgang 2020

Event, 14 – 16 February 2020

Rundgang Party 2020

Event, 14 February 2020, 23:00

Melissa Gordon: The Embarrassment of SUCKCESS

Lecture, 5 February 2020, 19:00

Aneta Rostkowska

Lecture, 29 January 2020, 19:00

David Brüll: Bottom-Up Coded Cultures

Lecture, 27 January 2020, 19:00

Oliver Tessmann: Material-Digital

Lecture, 23 January 2020, 19:00

Eric N. Mack: In austerity, stripped from its support and worn as a sarong

Lecture16 January 2020, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

The title of Eric N. Mack's lecture suggests the art object, at its most sacred, should reflect altered systems of value, especially in observation of the world brutalities. It imagines the case for the painting object to leave its autonomous support structures to need the body.

Eric N. Mack is an American artist currently based in New York. Recent exhibitions include Dye Lens at the Scrap Metal Gallery in Toronto and In austerity, stripped from its support and worn as a sarong at Power Station in Dallas. Earlier in 2019 he presented work at the Whitney Biennial, Whitney Museum of American Art. Also, a solo exhibition at the Brooklyn Museum in New York City, titled Lemme walk across the room which was included in the Desert X Biennial in the Coachella Valley.
Major group exhibitions include Ungestalt, Kunsthalle Basel (2017); In the Abstract, Massachusetts Museum of Contemporary Art (2017); Blue Black, Pulitzer Arts Foundation, St Louis (2017); Making & Unmaking: An exhibition curated by Duro Olowu, Camden Arts Centre, London (2016) and Greater New York 2015, MoMA PS1, Long Island City (2015).

 

This website uses cookies. By using our website, you agree to our use of cookies.
Imprint and Legal Information