On the equally specific and general, productive and reproductive, material and immaterial nature of artistic labour.
Today
Ongoing
Winter Semester 2023/24
Information, 16 October 2023 – 9 February 2024
Lectures Winter Semester 2023/24
Information, 7 November 2023 – 6 February 2024
Upcoming
Rundgang 2024
Exhibition, 9 – 11 February 2024, 10:00–20:00
Nika Dubrovsky: Another art world: Art Communism and Artificial Scarcity
Lecture, 28 November 2023, 19:00
Iris Touliatou: In this Economy
Lecture, 21 November 2023, 19:00
Gareth Evans: An Act of Care: Curation–A Modest Proposal
Lecture, 13 – 14 November 2023, 19:00
Helena Uambembe: Creating Myth for a historical understanding
Lecture, 7 November 2023, 19:00
Summer Term Break 2023
Information, 17 July – 13 October 2023
GROTTO – Graduate Show 2023
Exhibition, 14 – 30 July 2023
Hoor Al Qasimi: Sharjah Biennial 15. Thinking Historically in the Present
Lecture, 4 July 2023, 19:00
Manthia Diawara & Monika Szewczyk: AI: African Intelligence
Screening, 28 June 2023, 20:15
Lynn Rother: Uncanny provenance. Art history and its double
Lecture, 27 June 2023, 19:00
Slavs and Tatars: The Transliterative Tease
Lecture, 20 June 2023
Amt 45 i: Talks
Symposium, 17 June 2023, 14:00–20:30
another night in daimler
Konzert, 16 June 2023, 20:00
Jacqui Davies: Playing with Fire or the perils of working at the intersection of art and film
Lecture, 13 June 2023, 19:00
Willem de Rooij: King Vulture
Lecture, 6 June 2023, 19:00
Vittoria Martini & Thomas Hirschhorn: The Ambassador’s Diary
Talk, 1 June 2023
Tarek Lakhrissi: Beastangel
Lecture, 16 May 2023
Éric Baudelaire: When There is No More Music to Write (Lecture)
Lecture, 9 May 2023
Éric Baudelaire: When There is No More Music to Write (Screening)
Screening, 8 May 2023
Lectures Summer Semester 2023
Lecture, 2 May – 7 July 2023
Grada Kilomba: A conversation about the 35th Bienal de São Paulo
Lecture, 2 May 2023, 19:00
Summer Semester 2023
Information, 11 April – 14 July 2023
Admission Period for Full-time Studies in Fine Arts 2023/24
Information, 1 – 30 April 2023
Lap-See Lam "Tales of the Altersea" at Portikus
Exhibition, 11 March – 28 May 2023
Peter Weibel (1944–2023)
Information, 1 – 15 March 2023
Winter Term Break 2022/23
Information, 13 February – 10 April 2023
The Mensa is taking a break!
Information, 13 – 20 February 2023
Rundgang 2023
Exhibition, 10 – 12 February 2023, 10:00–20:00
Water Cooler Talks 2023
Lecture, 10 – 12 February 2023
Rundgang Film Program at DFF
Exhibition, 10 – 12 February 2023
Rundgang Party 2023
Party, 10 February 2023, 23:00
Rundgang Awards 2023
Information, 10 – 24 February 2023
On the Benefits of Friendship—A symposium in honor of Prof. Dr. Isabelle Graw
Symposium, 27 January 2023, 14:00–18:00
Adam Shiu-Yang Shaw: city limits
Lecture, 24 January 2023, 19:00
Christina Li: Time, dispossessed
Lecture, 17 January 2023, 19:00
Eyal Weizman: Cloud Studies

Across the world, toxic tear gas is deployed to disperse bodies gathering in democratic protest, white phosphorus and chlorine gas to spread terror in cities, aerial herbicides to destroy arable land and ruin livelihoods, and large-scale arson to eradicate forests for industrial plantations. Mobilized by state and corporate powers, toxic clouds colonize the air we breathe across different scales and durations, from urban squares to continents, unique incidents to epochal latencies.
In the recent history of human rights, incidents of violence have been understood as momentary and kinetic: a gunshot or explosion, where ‘every contact leaves a trace’. But contemporary cloud studies require a different approach. In analysing airborne violence, causality is hard to demonstrate; the ‘contact’ and the ‘trace’ drift apart, carried away by winds or ocean currents. Clouds are transformative entities—their dynamics elusive and nonlinear. Around these toxic fogs, contemporary political conditions breed doubt and lethal scepticism; physical clouds become epistemological. When figures in power deny the realities of climate change or chemical strikes, those forced to inhabit the clouds must find new forms of resistance.
Eyal Weizman is the founding director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London. The author of over 15 books, he has held positions in many universities worldwide including Princeton, ETH Zurich and the Academy of Fine Arts in Vienna. He is a member of the Technology Advisory Board of the International Criminal Court and the Centre for Investigative Journalism. In 2019 he was elected life fellow of the British Academy and appointed Member of the Order of the British Empire (MBE) in the 2020 New Year Honours for services to architecture. In 2020 he was elected the Richard von Weizsäcker fellow at the Bosch Academy. Eyal studied architecture at the Architectural Association, graduating in 1998. He received his PhD in 2006 from the London Consortium at Birkbeck, University of London.
The lecture will be held in English language.