Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Opening hours: Tue–Sun, 10am–6pm; Thu, 10am–9pm
Opening: Tuesday, July 15, 2025, 7pm–10pm
Today
Ongoing
Summer Semester 2025
Information, 22 April – 25 July 2025
Upcoming
Overture – Graduate Exhibition
Exhibition, 15 July – 10 August 2025, 19:00
Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
Lecture, 16 July 2025, 19:00
Tanya Lukin Linklater: _structural_flex_
Lecture, 8 July 2025, 19:00
Florence Jung: Doing nothing?
Lecture, 24 June 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Lecture, 17 June 2025, 19:00
Adir Jan & Emrah Gökmen: On the Shores of the Munzur, on the Shores of the Murat
Concert, 12 June 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Lecture, 10 June 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Lecture, 3 June 2025, 19:00
Jimmy Robert
Lecture, 27 May 2025, 19:00
Klein: No Degree, No Budget, No Problem
Lecture (20.5.) Concert (21.5.), 20 – 21 May 2025
Julian Irlinger: Reanimation and Reconstruction
Lecture, 13 May 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8 May 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Screening (5.5.) Lecture (6.5.), 5 – 6 May 2025, 19:00
Helen Marten: Animal Hours
Lecture, 29 April 2025, 19:00
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Application, 10 April – 31 May 2025
Semester Break Spring 2025
Information, 14 February – 21 April 2025
Water Cooler Talks 2025
Event, 8 – 9 February 2025
Rundgang 2025
Exhibition, 7 – 9 February 2025, 10:00–20:00
Trisha Donnelly
Lecture, 30 January 2025, 19:00
Kerstin Brätsch: Parasite Painting
Lecture, 28 January 2025, 19:00
Emma Enderby: Curating in and out of Place
Lecture, 14 January 2025, 19:00

Jane Jin Kaisen: On Storytelling, Mediation, and Alternative Genealogies
The lecture of Jane Jin Kaisen will include a presentation of her video installation Community of Parting (2019) from the Korean Pavilion of the 58th Venice Biennale. Re-actualizing the Korean shamanic myth of the Abandoned Princess Bari, within the context of Korea’s division and militarized modernity, Community of Parting addresses historical trauma, migration, and gender marginalization while suggesting ways of approaching borders otherwise. The piece is composed of imagery filmed in South Korea, North Korea, Kazakhstan, Japan, China, the United States, and Germany. Combining shamanic ritual performances, nature- and cityscapes, archival material, aerial imagery, poetry, voiceover, and soundscapes, Community of Parting is configured as a multi-scalar, non-linear, and layered montage loosely framed around Bari’s multiple deaths.
The lecture will also include a presentation of related works such as The Woman, The Orphan, and The Tiger(2010), Apertures Specters Rifts (2016) and Reiterations of Dissent (2011-16) which similarly engage questions of storytelling, mediation, and the tracing of alternative genealogies.
Jane Jin Kaisen works across the mediums of video installation, film, photography, performance, and text. Recurring themes involve memory, migration, and translation at the intersection of personal and collective histories. She holds an MFA in Interdisciplinary Studio Art from the University of California Los Angeles, an MA in Art Theory and Media Art from The Royal Danish Academy of Fine Arts, and participated in the Whitney Museum of American Art Independent Study Program.
She is representing Korea at the 58th Venice Biennale and has participated in the biennials of Liverpool, Gwangju, Anren, and Jeju. Other recent exhibitions include: Neither black/red/yellow nor woman at Times Art Center Berlin, the 68th Berlin International Film Festival and 2 or 3 Tigers at HKW (Haus der Kulturen der Welt, Berlin) in Germany; Decolonizing Appearance at CAMP (Center for Art on Migration Politics) in Denmark; Asian Diva: The Muse and the Monster at Buk Seoul Museum of Art, Art Spectrum at the Leeum Samsung Museum of Art and Interrupted Survey: Fractured Modern Mythologies at Asia Culture Center in South Korea.