Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Opening hours: Tue–Sun, 10am–6pm; Thu, 10am–9pm
Opening: Tuesday, July 15, 2025, 7pm–10pm
Today
Ongoing
Summer Semester 2025
Information, 22 April – 25 July 2025
Upcoming
Overture – Graduate Exhibition
Exhibition, 15 July – 10 August 2025, 19:00
Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
Lecture, 16 July 2025, 19:00
Tanya Lukin Linklater: _structural_flex_
Lecture, 8 July 2025, 19:00
Florence Jung: Doing nothing?
Lecture, 24 June 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Lecture, 17 June 2025, 19:00
Adir Jan & Emrah Gökmen: On the Shores of the Munzur, on the Shores of the Murat
Concert, 12 June 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Lecture, 10 June 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Lecture, 3 June 2025, 19:00
Jimmy Robert
Lecture, 27 May 2025, 19:00
Klein: No Degree, No Budget, No Problem
Lecture (20.5.) Concert (21.5.), 20 – 21 May 2025
Julian Irlinger: Reanimation and Reconstruction
Lecture, 13 May 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8 May 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Screening (5.5.) Lecture (6.5.), 5 – 6 May 2025, 19:00
Helen Marten: Animal Hours
Lecture, 29 April 2025, 19:00
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Application, 10 April – 31 May 2025
Semester Break Spring 2025
Information, 14 February – 21 April 2025
Water Cooler Talks 2025
Event, 8 – 9 February 2025
Rundgang 2025
Exhibition, 7 – 9 February 2025, 10:00–20:00
Trisha Donnelly
Lecture, 30 January 2025, 19:00
Kerstin Brätsch: Parasite Painting
Lecture, 28 January 2025, 19:00
Emma Enderby: Curating in and out of Place
Lecture, 14 January 2025, 19:00

Michael Sanchez: The Seasons in Retrospect
Michael Sanchez’ lecture "The Seasons in Retrospect," extends certain themes of his essays from the past few years, using television, fashion and contemporary art as case studies for examining the connections between the infrastructure of post-seasonal distribution and models of risk management.
Michael Sanchez is a PhD candidate in the Department of Art History and Archaeology at Columbia University New York. He has lectured at numerous institutions, including Princeton University, Boston University, Städelschule in Frankfurt, The Art Institute of Chicago, The Frick Collection and Artists Space. His writing on contemporary art and media has appeared in Artforum and Texte zur Kunst, as well as anthologies and exhibition catalogues published by Sternberg Press, Wiener Secession, CAPC Bordeaux, and Arnolfini Gallery Bristol.
He is currently at work on his dissertation, which draws on original archival material to trace some of the key elements of the contemporary art dispositif back to the Rhineland circa 1970. His project articulates the interconnections between four apparently disparate phenomena that emerged at this moment: jet infrastructure and the circulation of artists (Konrad Fischer); discursively-oriented post-studio pedagogical techniques (Joseph Beuys); new market structures such as the art fair and econometric analysis of art distribution (Willi Bongard); and curation as cultural technique in the practice of independent contemporary art curators.
Der Vortrag findet in englischer Sprache statt.