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Information, 9 May 2022 – 12 February 2023

Summer Term Break 2022

Information, 18 July – 9 October 2022

In loving memory of Helke Bayrle (1941–2022)

Information, 14 September – 2 October 2022

The Mensa is taking a break!

Information, 19 September – 30 October 2022

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Information, 10 October 2022 – 10 February 2023

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GASTHOF 2022 "OPEN HOUSE"

Event, 9 July 2022

Hassan Khan: The Infinite Hip-Hop Song Live!

Konzert, 9 July 2022, 21:30–22:45

Gasthof at Robert Johnson

Party, 7 July 2022, 22:00

MEDIUM RARE — Absolventenausstellung 2022

Exhibition, 2 – 17 July 2022

ALMOST ALIVE—Graduate Party

Event, 1 July 2022, 23:00

‘Absolventen’ prizes

Information, 1 – 10 July 2022

Asad Raza "Diversion" at Portikus

Exhibition, 25 June – 25 September 2022

Asad Raza: Metabolisms

Lecture, 21 June 2022, 19:00

Anthony Huberman: Bang on a Can

Lecture, 13 June 2022, 19:00

Sung Tieu: Ghosts In The Machine

Lecture, 7 June 2022, 19:00

Lecture: ruangrupa

Lecture, 31 May 2022, 19:00

Lecture: Neïl Beloufa

Lecture, 10 May 2022, 19:00

Lectures Summer Semester 2022

Lecture, 26 April – 28 June 2022, 19:00

Summer semester 2022

Information, 11 April – 15 July 2022

Daniel Birnbaum: Notes on the frames of art

Event, 10 April 2022, 15:00–17:00

Jochen Lempert at Portikus

Exhibition, 12 March – 5 June 2022

Winter Term break 2022

Information, 21 February – 10 April 2022

Rundgang Award Winners

Information, 18 – 20 February 2022

Judith Hopf Class: Grand Nizza Show

Class Project, 18 February – 11 March 2022

Rundgang 2022

Exhibition, 18 – 20 February 2022, 10:00–20:00

Pan Daijing

Online Lecture, 10 February 2022

Jordy Rosenberg: Lift Rift

Online Lecture, 2 February 2022

Ulrike Müller: Moving More Parts

Online Lecture, 25 January 2022

Park McArthur

Online Lecture, 18 January 2022

Sam Durant: Public Discourse?

Online Lecture, 11 January 2022

Saddie Choua, Lamb Chops Should Not Be Overcooked, 2019, Contour Biennale 9, photo: Lavinia WoutersSaddie Choua, Lamb Chops Should Not Be Overcooked, 2019, Contour Biennale 9, photo: Lavinia Wouters

Nataša Petrešin-Bachelez: Caretaking and/or curating. An example of an attempt to take care of a biennial's ecology

Lecture10 December 2019, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

Nataša Petrešin-Bachelez is an independent curator, editor and writer. Among the projects and exhibitions she curated are Show me the archive and I will tell you who is in power at Kiosk (2017, with Wim Waelput, Ghent), Let’s Talk about the Weather at the Sursock Museum (2016, with Nora Razian and Ashkan Sepahvand, Beirut), Resilience. Triennial of Contemporary Art in Slovenia (2013, Ljubljana), transmediale.08 at HKW (2008, Berlin). She was co-director of Les Laboratoires d’Aubervilliers (2010–12) and co-founder of the network Cluster. She is chief editor of L’Internationale Online, and was chief editor of the Manifesta Journal (2012-14).

Taking the case study of the Contour Biennale 9: Coltan as Cotton, Nataša Petrešin-Bachelez will observe the decolonial approach towards caretaking and question how to take care of a biennial's ecology that it produces, and how to undo its prevailing function related to an unsustainable cultural tourism.
Contour Biennale 9 was designed in phases: a continuum of projects in various formats, in contrast to earlier editions when the biennial ran for ten weeks. Between September 2018 and October 2019, three phases shaped it. These phases were aligned with the phases of the lunar cycle, one of our most natural rhythms, which induces a cyclical conception of time. Projects developed over a course of a year and explored entanglements between the decolonization of structures, mind and history in Belgium and the Neatherlands, and the need for practices of degrowth, care and solidarity to be intertwined more profoundly with contemporary artistic practices. The stretched duration of the biennial enabled a slowed down research phase and a more situated way of working within the social fabric of the city of Mechelen and around it.