Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Opening hours: Tue–Sun, 10am–6pm; Thu, 10am–9pm
Opening: Tuesday, July 15, 2025, 7pm–10pm
Today
Ongoing
Summer Semester 2025
Information, 22 April – 25 July 2025
Upcoming
Overture – Graduate Exhibition
Exhibition, 15 July – 10 August 2025, 19:00
Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
Lecture, 16 July 2025, 19:00
Tanya Lukin Linklater: _structural_flex_
Lecture, 8 July 2025, 19:00
Florence Jung: Doing nothing?
Lecture, 24 June 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Lecture, 17 June 2025, 19:00
Adir Jan & Emrah Gökmen: On the Shores of the Munzur, on the Shores of the Murat
Concert, 12 June 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Lecture, 10 June 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Lecture, 3 June 2025, 19:00
Jimmy Robert
Lecture, 27 May 2025, 19:00
Klein: No Degree, No Budget, No Problem
Lecture (20.5.) Concert (21.5.), 20 – 21 May 2025
Julian Irlinger: Reanimation and Reconstruction
Lecture, 13 May 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8 May 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Screening (5.5.) Lecture (6.5.), 5 – 6 May 2025, 19:00
Helen Marten: Animal Hours
Lecture, 29 April 2025, 19:00
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Application, 10 April – 31 May 2025
Semester Break Spring 2025
Information, 14 February – 21 April 2025
Water Cooler Talks 2025
Event, 8 – 9 February 2025
Rundgang 2025
Exhibition, 7 – 9 February 2025, 10:00–20:00
Trisha Donnelly
Lecture, 30 January 2025, 19:00
Kerstin Brätsch: Parasite Painting
Lecture, 28 January 2025, 19:00
Emma Enderby: Curating in and out of Place
Lecture, 14 January 2025, 19:00
Pan Daijing

In this online discussion Pan Daijing will give a short presentation followed by a discussion of her performance works spanning her recent work. Works featured include Tissues and The Absent Hour which premiered at Tate Modern, London, 2019; Dead Time Blue, Martin Gropius Bau, Berlin, 2020; Done Duet, a performative installation work for the 13th Shanghai Biennale, Power Station of Art, Shanghai; and her most recent performance works One Hundred Nine Minus and Echo, Moss and Spill which was presented at Tai Kwun Contemporary, Hong Kong over the course of this year.
Daijing’s performance-based practice explores modes of storytelling across sound, movement, the architectural environment and moving image. Drawing on the capacity of music to exceed the limits of language, her work communicates sonic, physical, and psychological depths, seeking a means of connection beyond the human condition. Her compositional method is based on extensive improvisation with analogue synthesisers and the human voice as well as deconstruction of instruments and field recordings. Exploring the sphere of psychoacoustics and opera, she uses both recording techniques and live performance to expand the listening experience and challenge the understanding of music as an art form. Her work is often developed in conversation with architectural space, pressurising the boundaries between forms to create enveloping, sensory experiences for audiences to enter and inhabit.
Pan Daijing (b. Guiyang, China, 1991) is a Berlin-based artist and composer, her artworks have been exhibited internationally, at Tai Kwun Contemporary, Hong Kong (2021); The 13th Shanghai Biennale, Power Station of Art, Shanghai (2021); Martin-Gropius-Bau, Berlin (2020); Tate Modern, London (2019); Biennale of Moving Image Geneva (2018). She has also performed at Barbican Centre, London; Palais de Tokyo, Paris; Elbphilharmonie Hamburg and Haus der Kulturen der Welt, Berlin among many others. She has released three full-length albums including Tissues (2022), an archival document of her 2019 performance of the same name, Jade (2021) and Lack (2017).