Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Opening hours: Tue–Sun, 10am–6pm; Thu, 10am–9pm
Opening: Tuesday, July 15, 2025, 7pm–10pm
Today
Ongoing
Summer Semester 2025
Information, 22 April – 25 July 2025
Upcoming
Overture – Graduate Exhibition
Exhibition, 15 July – 10 August 2025, 19:00
Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
Lecture, 16 July 2025, 19:00
Tanya Lukin Linklater: _structural_flex_
Lecture, 8 July 2025, 19:00
Florence Jung: Doing nothing?
Lecture, 24 June 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Lecture, 17 June 2025, 19:00
Adir Jan & Emrah Gökmen: On the Shores of the Munzur, on the Shores of the Murat
Concert, 12 June 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Lecture, 10 June 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Lecture, 3 June 2025, 19:00
Jimmy Robert
Lecture, 27 May 2025, 19:00
Klein: No Degree, No Budget, No Problem
Lecture (20.5.) Concert (21.5.), 20 – 21 May 2025
Julian Irlinger: Reanimation and Reconstruction
Lecture, 13 May 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8 May 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Screening (5.5.) Lecture (6.5.), 5 – 6 May 2025, 19:00
Helen Marten: Animal Hours
Lecture, 29 April 2025, 19:00
Application: Master of Arts Program in CURATORIAL AND CRITICAL STUDIES
Application, 10 April – 31 May 2025
Semester Break Spring 2025
Information, 14 February – 21 April 2025
Water Cooler Talks 2025
Event, 8 – 9 February 2025
Rundgang 2025
Exhibition, 7 – 9 February 2025, 10:00–20:00
Trisha Donnelly
Lecture, 30 January 2025, 19:00
Kerstin Brätsch: Parasite Painting
Lecture, 28 January 2025, 19:00
Emma Enderby: Curating in and out of Place
Lecture, 14 January 2025, 19:00

Philippe Pirotte: The Grand Balcony (Biennale de Montreal 2016)
For the exhibition The Grand Balcony the awareness of an artistic consciousness that creates ‘images’ which are materially compulsory in the present though suffused with historic resonance and in parley with the ‘information economy’s heightened dematerialization’ is paramount. Praxis of such images challenges the reproducibility of the (digital) image, decentralized authorship, and the development of attention as currency. Moreover it reframes questions around the physical exhibition space, imitation, tableau, and séance.
The Grand Balcony draws loosely on Jean Genet's Le Balcon, where the play’s high porch is a space of contestation between revolution and counter-revolution, reality and illusion. A recurring motif in Genet's writing, his balcony is a place of perverse acts where representation itself can be perversely troubled. It is a desiring apparatus and a theatrical space that articulates the complex relationship between inside and outside, up and down. The balcony is also subjected to a particular regime of visibility, a space where a person can dramatically stage herself, with power and vulnerability on display.
As a brothel, Genet's Grand Balcony presents a fiercely ironical microcosm of the power elite besieged by revolutionary forces at the gates. In turn, the exhibition The Grand Balcony enacts Genet’s concern with meta-theatricality and role-playing by unfolding experiences alongside “objects” that often refuse to reveal themselves as truths. Along with Genet, The Grand Balcony enlists the infamous Marquis de Sade, who adds the right to pleasure to the canon of human rights. His advocacy of pleasure uncovers the paradoxes of the bourgeois principle of formal equality as it exposes the fact that fantasy categorically resists universalization. Fantasy is the absolutely individual way in which someone structures her/his “impossible” relation to things.
In the tradition of both Genet and de Sade, Le Grand Balcon aims to be an exhibition - simultaneously playful and fatalistic - where things can go astray.
Philippe Pirotte *1972 is a Belgian art historian, critic, curator of numerous international exhibitions and director of Städelschule and Portikus since 2014. From 2005 – 2011, he was the director of the Kunsthalle Bern. Since 2005, Pirotte has been Senior Advisor of the Rijksakademie for Visual Arts in Amsterdam. In 2012, he became Adjunct Senior Curator at the UC Berkeley Art Museum and Pacific Film Archive and in 1999 he co-founded objective exhibitions, a not-for-profit institution in Antwerp, Belgium.