Ongoing

Pope L. "Misconceptions" at Portikus

Exhibition, 8 September – 21 November 2021

Archive: 2021 NextPrevious

Final Reviews Architecture Class

Event, 9 – 10 September 2021, 17:00–21:30

THE WHISTLE—Absolventenausstellung 2021

Exhibition, 3 – 19 September 2021

Daniel Lie: Rotten Energy

Online Lecture, 24 June 2021, 19:00

Eyal Weizman: Cloud Studies

Online Lecture, 1 June 2021, 19:00

Breaking Glass III – Virtual Space

Symposium, 28 – 30 May 2021

David Gianotten: Contextual Engagement

Online Lecture, 20 May 2021, 19:00

Ellie Ga: Artist talk

Online Lecture, 18 May 2021, 19:00

Hassan Khan class: AUTONATURA

Class Project, 14 – 16 May 2021

Etta Madete: OCHA-African Avant-Garde

Online Lecture, 11 May 2021, 19:00

Willem de Rooij class: Premiere

Class Project, 7 – 21 May 2021

Banu Cennetoğlu: neither a mirror nor a hammer

Online Lecture, 6 May 2021, 19:00

Elif Saydam: The House Always Wins

Online Lecture, 20 April 2021, 19:00

Lectures Summer Semester 2021

Online Lecture, 20 April – 8 July 2021

Summer semester 2021

Information, 12 April – 16 July 2021

Willem de Rooij "PIERRE VERGER IN SURINAME" at Portikus

Exhibition, 27 March – 18 July 2021

STADL: Schtorona

Radio Show, 19 – 21 February 2021, 18:00–19:00

Willem de Rooij Class: Raum I7

Class Project, 19 February 2021

Rungdang

Event, 19 – 21 February 2021, 16:00–20:00

Bani Abidi: Funland

Online Lecture, 16 February 2021, 19:00

Olga Balema

Online Lecture, 4 February 2021, 19:00

Henrike Naumann: Aesthetics of Power

Online Lecture, 28 January 2021, 19:00

The Otolith Group: Infinity Minus Infinity

Online Lecture, 21 January 2021, 19:00

Manuela Moscoso: Liverpool Biennial 2021

Online Lecture, 19 January 2021, 19:00

Jason Mohaghegh: Dreams of the Last King

Online Lecture, 12 January 2021, 19:00

Tiona Nekkia McClodden: UNMASK – VEIL – OBSCURE

Online Lecture4 May 2021, 19:00online
Tiona Nekkia McClodden, MASK, 2021, photo: TNMTiona Nekkia McClodden, MASK, 2021, photo: TNM

This lecture will center and deconstruct the meaning of the mask in theory and form in relation to Tiona Nekkia McClodden’s works and their respective influences. She will approach this lecture in the form of a triptych which will explore the following: Unmasking, THE FULL SEVERITY OF COMPASSION, 2019; Veil, Se Te Subio El Santo, 2016 which will explore the mask as disclosure; Obscure, The Brad Johnson Tape, III, 2017 will explore the mask as a device of illegibility

Tiona Nekkia McClodden [she/her] is a visual artist, filmmaker, and curator whose work explores and critiques issues at the intersections of race, gender, sexuality and social commentary. McClodden’s interdisciplinary approach traverses documentary film, experimental video, sculpture, and sound installations. Most recently, her work has explored the themes of re-memory and narrative biomythography. McClodden has exhibited and screened work at Institute of Contemporary Art, Philadelphia; the Museum of Modern Art, New York; the Whitney Museum, New York; Haus der Kulturen der Welt (HKW), Berlin; MOCA LA; MCA Chicago and MoMA PS1, New York. Most recently she is the recipient of a Bucksbaum Award for her work in the Whitney Biennial (2019), a Guggenheim Fellowship in Fine Arts (2019), a Keith Haring Fellowship in Art and Activism from Bard College (2018) and a Pew Fellowship (2016), among others. In 2017/18 she curated A Recollection. + Predicated. as a part of the multi-artist retrospective Julius Eastman: That Which is Fundamental at both the Slought Foundation in Philadelphia and The Kitchen in New York. She lives and works in North Philadelphia and is the Founder and Owner of Philadelphia based, Conceptual Fade, a micro-gallery and library space centering Black thought and artistic production. Her writing has been featured on the Triple Canopy platform, in Artforum, Cultured Magazine, ART 21 Magazine and many other publications.

Registration

The lecture will be held in English.

 

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