On the equally specific and general, productive and reproductive, material and immaterial nature of artistic labour.
Today
Ongoing
Winter Semester 2023/24
Information, 16 October 2023 – 9 February 2024
Lectures Winter Semester 2023/24
Information, 7 November 2023 – 6 February 2024
Upcoming
Rundgang 2024
Exhibition, 9 – 11 February 2024, 10:00–20:00
Nika Dubrovsky: Another art world: Art Communism and Artificial Scarcity
Lecture, 28 November 2023, 19:00
Iris Touliatou: In this Economy
Lecture, 21 November 2023, 19:00
Gareth Evans: An Act of Care: Curation–A Modest Proposal
Lecture, 13 – 14 November 2023, 19:00
Helena Uambembe: Creating Myth for a historical understanding
Lecture, 7 November 2023, 19:00
Summer Term Break 2023
Information, 17 July – 13 October 2023
GROTTO – Graduate Show 2023
Exhibition, 14 – 30 July 2023
Hoor Al Qasimi: Sharjah Biennial 15. Thinking Historically in the Present
Lecture, 4 July 2023, 19:00
Manthia Diawara & Monika Szewczyk: AI: African Intelligence
Screening, 28 June 2023, 20:15
Lynn Rother: Uncanny provenance. Art history and its double
Lecture, 27 June 2023, 19:00
Slavs and Tatars: The Transliterative Tease
Lecture, 20 June 2023
Amt 45 i: Talks
Symposium, 17 June 2023, 14:00–20:30
another night in daimler
Konzert, 16 June 2023, 20:00
Jacqui Davies: Playing with Fire or the perils of working at the intersection of art and film
Lecture, 13 June 2023, 19:00
Willem de Rooij: King Vulture
Lecture, 6 June 2023, 19:00
Vittoria Martini & Thomas Hirschhorn: The Ambassador’s Diary
Talk, 1 June 2023
Tarek Lakhrissi: Beastangel
Lecture, 16 May 2023
Éric Baudelaire: When There is No More Music to Write (Lecture)
Lecture, 9 May 2023
Éric Baudelaire: When There is No More Music to Write (Screening)
Screening, 8 May 2023
Lectures Summer Semester 2023
Lecture, 2 May – 7 July 2023
Grada Kilomba: A conversation about the 35th Bienal de São Paulo
Lecture, 2 May 2023, 19:00
Summer Semester 2023
Information, 11 April – 14 July 2023
Admission Period for Full-time Studies in Fine Arts 2023/24
Information, 1 – 30 April 2023
Lap-See Lam "Tales of the Altersea" at Portikus
Exhibition, 11 March – 28 May 2023
Peter Weibel (1944–2023)
Information, 1 – 15 March 2023
Winter Term Break 2022/23
Information, 13 February – 10 April 2023
The Mensa is taking a break!
Information, 13 – 20 February 2023
Rundgang 2023
Exhibition, 10 – 12 February 2023, 10:00–20:00
Water Cooler Talks 2023
Lecture, 10 – 12 February 2023
Rundgang Film Program at DFF
Exhibition, 10 – 12 February 2023
Rundgang Party 2023
Party, 10 February 2023, 23:00
Rundgang Awards 2023
Information, 10 – 24 February 2023
On the Benefits of Friendship—A symposium in honor of Prof. Dr. Isabelle Graw
Symposium, 27 January 2023, 14:00–18:00
Adam Shiu-Yang Shaw: city limits
Lecture, 24 January 2023, 19:00
Christina Li: Time, dispossessed
Lecture, 17 January 2023, 19:00

Zasha Colah: The Curatorial Practices of Clark House Initiative Bombay
Vortrag Masterstudiengang Kuratieren und Kritik
Zasha Colah will reflect on notions of cultural transference and collective imagination in situations of political exigency, tracing a path through her most recent exhibitions and curatorial writing, framing questions about the role and premise of curatorial work. The talk will consider the political and philosophic motivations of choreography and the possibilities of fiction, to reflect on cultural sovereignty and the way works of culture address injustice and the law. Colah’s curatorial projects point to pending or under-represented art historical narratives that find common inheritances and solidarities beyond India and the subcontinent.
Zasha Colah co-founded the Clark House Initiative, a curatorial collaborative and a union of artists, in Mumbai in 2010, and a collaborative called ‘blackrice’ in the Indian state of Nagaland in 2008. She was the curator of 20th-century Indian Art at the CSMVS Museum in Mumbai, formerly known as the Prince of Wales Museum of Western India, after completing degrees in art history at Oxford and curatorial practice at RCA, London. Prior to this she worked on public programs at the National Gallery of Modern Art (2004-2005) in Mumbai.
The Indian, Mumbai-based curator Zasha Colah is the first grantee of the program 'Curators in Residence: Curating Connections’, an initiative by KfW Stiftung and Berliner Künstlerprogramm/DAAD. It provides emerging curators from Latin America, Africa, the Middle East and Asia with the opportunity to spend several months in Berlin. Besides encouraging research and critical reflection, the program facilitates encounters between those working in arts and culture. The curators-in-residence program of KfW Stiftung seeks to stimulate intercultural dialogue in curatorial practice. In addition to the Berlin program ‘Curating Connections’ a second program in Frankfurt, ‘Curating Collections’, has started in collaboration with the Weltkulturen Museum.
Der Vortrag findet in englischer Sprache statt.