The main cultural transformation of modern capitalism has been the creation of refrains of temporal perception that pervade and discipline society: the refrain of factory work, the refrain of the salary, the refrain of production line. The digital transition has brought along with it new refrains: electronic fragmentation, information overload, acceleration of the semiotic exchange. Fractalization of time, competition. The essential feature of refrain is the rhythm. Rhythm is the relation of a subjective flow of signs (musical, poetic, gestual signs) with the environment: cosmic environment, earthly environment, social environment. Rhythm is singular and collective. It is singularizing the sound of the world in a special modeling of the environmental sound. But it is able to trigger a process of agglutination, of sensitive and sensible communality. Sometime people start to sing the same song, and to dance the same dance. It can be dangerous, and on this kind of homogeneous subjectivation is based fascism, and modern totalitarianism in general. But it can happen in ironic and nomadic ways. People start to create a new song, and they do it together. That’s a movement.
Franco Berardi, aka “Bifo,” founder of the famous “Radio Alice” in Bologna and an important figure of the Italian Autonomia Movement, is a writer, media theorist, and media activist. He currently teaches Social History of the Media at the Accademia di Brera, Milan.
Heute
Ongoing
Demnächst
Diego Marcon
Screening (4. Nov) Lecture (5. Nov), 4. – 5. November 2024, 19:00
Gabu Heindl & Drehli Robnik: Composing and decomposing a whole. Ideologies of solutionism and politics of nonsolution
Vortrag, 12. November 2024, 19:00
Jean Charles de Quillacq: A real boy
Vortrag, 19. November 2024, 19:00
Dora Budor: Sidebar
Vortrag, 29. Oktober 2024, 19:00
Ghislaine Leung: Questions
Gespräch, 22. Oktober 2024, 19:00
From Portikus to Prototype: How to Display Art in the City
Gespräch, 20. Oktober 2024, 16:00
Nathalie Du Pasquier & Luca Lo Pinto: ON THE SHELF
Gespräch, 19. Oktober 2024, 18:00
Biomorphic Window 01: Pharmakon / Kollaps / Lana del Rabies
Konzert, 2. Oktober 2024, 19:00–23:00
„The Frankfurt Prototype“
Eröffnung, 1. Oktober 2024, 18:00
Kasper König (1943–2024)
Nachruf, 9. August 2024
Vera Palme: The And
Vortrag, 9. Juli 2024, 19:00
Zasha Colah
Vortrag, 2. Juli 2024, 19:00
The Call
Ausstellung, 28. Juni – 21. Juli 2024
Dylan Solomon KRAUS: The Seventh Point on the Six Sided Die
Vortrag, 11. Juni 2024, 19:00
Listening Session
Veranstaltung, 3. Juni 2024, 17:00–20:00
Tarik Kiswanson
Vortrag, 28. Mai 2024, 19:00
Guerilla Architects: WE ARE SORRY!
Vortrag, 21. Mai 2024, 19:00
Pio Abad: To Those Sitting in Darkness
Vortrag, 14. Mai 2024, 19:00
Sir Peter Cook: CONSIDERING THE PICTURESQUE
Vortrag, 13. Mai 2024, 19:00
Débora Delmar: Property
Vortrag, 7. Mai 2024, 19:00
JUNGE KUNST MIT ZUKUNFT
Veranstaltung, 4. Mai 2024, 18:00
Elisa R. Linn: Die Berliner Mauer als Kondom
Vortrag, 2. Mai 2024, 19:00
R.H. Quaytman: Book
Vortrag, 30. April 2024, 19:00
Camille Norment: Cultural Psychoacoustics
Vortrag, 23. April 2024, 19:00
Phillip Zaiser (1969–2024)
Nachruf, 6. April 2024
Bewerbung: Masterstudiengang Curatorial Studies – Theorie – Geschichte – Kritik
Information, 25. März – 31. Mai 2024
Water Cooler Talks 2024
Veranstaltung, 10. Februar 2024, 10:00–18:00
Rundgang 2024
Ausstellung, 9. – 11. Februar 2024, 10:00–20:00
Nora Turato: Lecture
Vortrag, 6. Februar 2024, 19:00
Oladélé Ajiboyé Bamgboyé: Unmasking Series–Towards Public Co-creation
Vortrag, 30. Januar 2024, 19:00
Unextractable? Sammy Baloji and Bénédicte Savoy in Conversation
Vortrag, 25. Januar 2024, 19:00
Manon de Boer: Three Films
Vortrag & Screening, 22. – 23. Januar 2024, 19:00
Ann Demeester: The Museum as Transhistorical ‘Garden of Consciousness’?
Vortrag, 16. Januar 2024, 19:00
Moritz Fehr: Evokation, Installation, Simulation
Vortrag, 9. Januar 2024, 19:00
Franco Berardi (Bifo)
Vortrag 10. Mai 2011, 19:00 Portikus, Alte Brücke 2 / Maininsel, 60594 Frankfurt am Main