Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Öffnungszeiten: Di–So, 10–18 Uhr; Do, 10–21 Uhr
Eröffnung: Dienstag, 15. Juli 2025, 19–22 Uhr
Heute
Ongoing
Sommersemester 2025
Information, 22. April – 25. Juli 2025
Demnächst
Tanya Lukin Linklater: _structural_flex_
Vortrag, 8. Juli 2025, 19:00
Overture – Absolvent*innenausstellung
Ausstellung, 15. Juli – 10. August 2025, 19:00
Florence Jung: Doing nothing?
Vortrag, 24. Juni 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Vortrag, 17. Juni 2025, 19:00
Adir Jan & Emrah Gökmen: An den Ufern des Munzur, an den Ufern des Murat
Konzert, 12. Juni 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Vortrag, 10. Juni 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Vortrag, 3. Juni 2025, 19:00
Jimmy Robert
Vortrag, 27. Mai 2025, 19:00
Klein: No Degree, No Budget, No Problem
Vortrag (20.5.) Konzert (21.5.), 20. – 21. Mai 2025
Julian Irlinger: Reanimation and Reconstruction
Vortrag, 13. Mai 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8. Mai 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Filmvorführung (5.5.) Vortrag (6.5.), 5. – 6. Mai 2025, 19:00
Helen Marten: Animal Hours
Vortrag, 29. April 2025, 19:00
Bewerbung: Masterstudiengang Curatorial Studies – Theorie – Geschichte – Kritik
Bewerbung, 10. April – 31. Mai 2025
Vorlesungsfreie Zeit Frühjahr 2025
Information, 14. Februar – 21. April 2025
Water Cooler Talks 2025
Veranstaltung, 8. – 9. Februar 2025
Rundgang 2025
Ausstellung, 7. – 9. Februar 2025, 10:00–20:00
Trisha Donnelly
Vortrag, 30. Januar 2025, 19:00
Kerstin Brätsch: Parasite Painting
Vortrag, 28. Januar 2025, 19:00
Emma Enderby: Curating in and out of Place
Vortrag, 14. Januar 2025, 19:00

Loretta Fahrenholz: Artist talk
During the past few years Fahrenholz has gained recognition for a style of digital cinema that merges an old school documentary ethic with the manipulations of contemporary image technologies. Inserting her camera into live social situations and institutional contexts, the artist constructs narratives with the real, using digital post-production to produce reconstructed documents. Her juxtaposition of pop culture references with intense human interactions creates an uneasy presence on screen and nods towards our interpersonal connections of the near future.
The talk will focus on Fahrenholz's New York films Implosion, an adaptation of a Kathy Acker script in a high rise condo near Ground Zero in Manhattan, Grand Openings Return of the Blogs, documenting a performance series of the collective Grand Openings at MoMA in 2011 and Ditch Plains, a futuristic disaster movie shot in Brooklyn at the time of Hurricane Sandy.
Loretta Fahrenholz lives in Berlin and New York. Recent films include: My Throat, My Air (2014); Ditch Plains (2013); Grand Openings Return of the Blogs (2012); Implosion (2011) and Haust (2010). Fahrenholz work has been shown at Galerie Buchholz, Cologne (2015); Reena Spaulings Fine Arts, New York (2013), The Hammer Museum, Los Angeles (2015), Modern Art Oxford, Oxford, United Kingdom (2014); 10th Shanghai Biennale (2014); Museum of Contemporary African Diasporan Arts, Brooklyn, (2014), Institute of Contemporary Arts, London (2014); Museum of Modern Art, Warsaw (2014); KW Institute for Contemporary Art, Berlin (2014); Kunsthalle Basel, Basel, Switzerland (2014); Artists Space, New York (2013); Arnolfini, Bristol, United Kingdom (2013); Sprengel Museum, Hannover, Germany (2012); and Museum Moderner Kunst Stiftung Ludwig Wien, Vienna (2012).
Der Vortrag findet in englischer Sprache statt.