Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Öffnungszeiten: Di–So, 10–18 Uhr; Do, 10–21 Uhr
Eröffnung: Dienstag, 15. Juli 2025, 19–22 Uhr
Heute
Ongoing
Sommersemester 2025
Information, 22. April – 25. Juli 2025
Demnächst
Overture – Absolvent*innenausstellung
Ausstellung, 15. Juli – 10. August 2025, 19:00
Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
Vortrag, 16. Juli 2025, 19:00
Tanya Lukin Linklater: _structural_flex_
Vortrag, 8. Juli 2025, 19:00
Florence Jung: Doing nothing?
Vortrag, 24. Juni 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Vortrag, 17. Juni 2025, 19:00
Adir Jan & Emrah Gökmen: An den Ufern des Munzur, an den Ufern des Murat
Konzert, 12. Juni 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Vortrag, 10. Juni 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Vortrag, 3. Juni 2025, 19:00
Jimmy Robert
Vortrag, 27. Mai 2025, 19:00
Klein: No Degree, No Budget, No Problem
Vortrag (20.5.) Konzert (21.5.), 20. – 21. Mai 2025
Julian Irlinger: Reanimation and Reconstruction
Vortrag, 13. Mai 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8. Mai 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Filmvorführung (5.5.) Vortrag (6.5.), 5. – 6. Mai 2025, 19:00
Helen Marten: Animal Hours
Vortrag, 29. April 2025, 19:00
Bewerbung: Masterstudiengang Curatorial Studies – Theorie – Geschichte – Kritik
Bewerbung, 10. April – 31. Mai 2025
Vorlesungsfreie Zeit Frühjahr 2025
Information, 14. Februar – 21. April 2025
Water Cooler Talks 2025
Veranstaltung, 8. – 9. Februar 2025
Rundgang 2025
Ausstellung, 7. – 9. Februar 2025, 10:00–20:00
Trisha Donnelly
Vortrag, 30. Januar 2025, 19:00
Kerstin Brätsch: Parasite Painting
Vortrag, 28. Januar 2025, 19:00
Emma Enderby: Curating in and out of Place
Vortrag, 14. Januar 2025, 19:00

Bouchra Khalili: Foreign Office
Bouchra Khalili is a Berlin-based Moroccan-French artist. Born in Casablanca, she later studied Film at Sorbonne Nouvelle and Visual Art at the École Nationale Supérieure d'Arts de Paris-Cergy.
Through language, subjectivity, orality, and transitional territories, Khalili's work (film, video, installation, photography and prints) focuses on historical speculation and the representation of subjects rendered invisible by the nation-state, to investigate strategies and discourses of resistance as elaborated and narrated from the perspective of political minorities.
Khalili's work has been internationally exhibited, as at "Here & Elsewhere", New Museum (New York, 2014) ; "Positions", Van Abbemuseum (Eindhoven, 2014) ; "The Encyclopedic Palace", 55th Venice Biennale (2013) ; "Cross-Border", ZKM, Karlsruhe (2013); "Salon Der Angst", Kunsthalle Wien (2013); "La Triennale", Palais de Tokyo (Paris, 2012) ; The 18th Biennale of Sydney (2012); << Mapping Subjectivity >> at MoMA (New York, 2011); The 10th Sharjah Biennial (2011); among others. Recent solo exhibitions include: "Foreign Office" at Palais de Tokyo, Paris (2015) ; "Garden Conversation" at Macba, Barcelona (2015) ; "Speeches - Chapter 3: Living Labour" at PAMM, Miami (2013) ; "The Opposite of the Voice-Over", Justina M. Barnicke Gallery, Toronto (2013) ; "Wet Feet and More" at DAAD Galerie, Berlin, (2013). Khalili is also the recipient of numerous grants and awards, as such as: "Abraaj Group Art Prize, 2014"; "Sam Art Prize 2014", Sam Art Foundation, Paris ; "DAAD-Artist in Berlin" (2012) ; Vera List Center for Art and Politics Fellowship (The New School, New York, 2011-2013) ; Villa Médicis Hors les Murs (2010).
"Foreign Office" combines a digital film, a series of photographs and a silkscreen print. Produced in Algier in Fall 2014 and currently on view at Khalili's solo show at Palais de Tokyo in Paris, this new body of works investigates the period during which Algiers - between 1962 and 1972 - became the "capital of revolutionaries", hosting delegations of movements of liberation from Africa, Asia and the Americas. Taking as a starting point this forgotten part of post-independent Algeria, "Foreign Office" invites to reflect on the articulations between history, historiography and oral history, their transmission, and the status of forgotten utopias. For this lecture, Bouchra Khalili will introduce the project as well as the method she developed to conduct it.
Der Vortrag findet in englischer Sprache statt.