Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Öffnungszeiten: Di–So, 10–18 Uhr; Do, 10–21 Uhr
Eröffnung: Dienstag, 15. Juli 2025, 19–22 Uhr
Heute
Ongoing
Sommersemester 2025
Information, 22. April – 25. Juli 2025
Demnächst
Overture – Absolvent*innenausstellung
Ausstellung, 15. Juli – 10. August 2025, 19:00
Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
Vortrag, 16. Juli 2025, 19:00
Tanya Lukin Linklater: _structural_flex_
Vortrag, 8. Juli 2025, 19:00
Florence Jung: Doing nothing?
Vortrag, 24. Juni 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Vortrag, 17. Juni 2025, 19:00
Adir Jan & Emrah Gökmen: An den Ufern des Munzur, an den Ufern des Murat
Konzert, 12. Juni 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Vortrag, 10. Juni 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Vortrag, 3. Juni 2025, 19:00
Jimmy Robert
Vortrag, 27. Mai 2025, 19:00
Klein: No Degree, No Budget, No Problem
Vortrag (20.5.) Konzert (21.5.), 20. – 21. Mai 2025
Julian Irlinger: Reanimation and Reconstruction
Vortrag, 13. Mai 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8. Mai 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Filmvorführung (5.5.) Vortrag (6.5.), 5. – 6. Mai 2025, 19:00
Helen Marten: Animal Hours
Vortrag, 29. April 2025, 19:00
Bewerbung: Masterstudiengang Curatorial Studies – Theorie – Geschichte – Kritik
Bewerbung, 10. April – 31. Mai 2025
Vorlesungsfreie Zeit Frühjahr 2025
Information, 14. Februar – 21. April 2025
Water Cooler Talks 2025
Veranstaltung, 8. – 9. Februar 2025
Rundgang 2025
Ausstellung, 7. – 9. Februar 2025, 10:00–20:00
Trisha Donnelly
Vortrag, 30. Januar 2025, 19:00
Kerstin Brätsch: Parasite Painting
Vortrag, 28. Januar 2025, 19:00
Emma Enderby: Curating in and out of Place
Vortrag, 14. Januar 2025, 19:00

Gordon Hall: THROUGH AND THROUGH AND THROUGH
Gordon Hall will present a lecture about their just-opened exhibition at Portland Institute for Contemporary Art, consisting of eighteen new sculptures made from cast concrete, poplar, colored pencil, hand-dyed fabric, and carved brick. These objects feel familiar yet strange, made up of the edges of recognizable things—benches, shims, a basin, turned table legs, a saddle, tools. They ask to be used, but are not clear about how or by whom. Through this potentiality, they are rendered anew, and slightly perverted. We watch the sculptures as they watch us. Together, our usefulness is called into question. Those who spend time with this family of things are interlocutors engaged in the question, “What does it mean to be witnessed?”
Gordon Hall's sculptures and performances have been exhibited at SculptureCenter, The Renaissance Society, Brooklyn Museum, Museum of Contemporary Art Chicago, Whitney Museum of American Art, Movement Research, EMPAC, Art in General, Temple Contemporary, Hessel Museum at Bard College, White Columns, Wysing Arts Centre, Abrons Arts Center, Socrates Sculpture Park, and The Drawing Center, among others. Hall has had institutional solo shows at MIT List Visual Arts Center (Boston, MA, 2018) and Portland Institute for Contemporary Art (Portland, OR, 2019), who also released an edited volume of Hall's writing, OVER-BELIEFS: Gordon Hall Collected Writing, 2011-2018. Gordon Hall holds an MFA and an MA in Visual and Critical Studies from the School of the Art Institute of Chicago and a BA from Hampshire College.
Der Vortrag findet in englischer Sprache statt.