Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Öffnungszeiten: Di–So, 10–18 Uhr; Do, 10–21 Uhr
Eröffnung: Dienstag, 15. Juli 2025, 19–22 Uhr
Heute
Ongoing
Sommersemester 2025
Information, 22. April – 25. Juli 2025
Demnächst
Tanya Lukin Linklater: _structural_flex_
Vortrag, 8. Juli 2025, 19:00
Overture – Absolvent*innenausstellung
Ausstellung, 15. Juli – 10. August 2025, 19:00
Florence Jung: Doing nothing?
Vortrag, 24. Juni 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Vortrag, 17. Juni 2025, 19:00
Adir Jan & Emrah Gökmen: An den Ufern des Munzur, an den Ufern des Murat
Konzert, 12. Juni 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Vortrag, 10. Juni 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Vortrag, 3. Juni 2025, 19:00
Jimmy Robert
Vortrag, 27. Mai 2025, 19:00
Klein: No Degree, No Budget, No Problem
Vortrag (20.5.) Konzert (21.5.), 20. – 21. Mai 2025
Julian Irlinger: Reanimation and Reconstruction
Vortrag, 13. Mai 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8. Mai 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Filmvorführung (5.5.) Vortrag (6.5.), 5. – 6. Mai 2025, 19:00
Helen Marten: Animal Hours
Vortrag, 29. April 2025, 19:00
Bewerbung: Masterstudiengang Curatorial Studies – Theorie – Geschichte – Kritik
Bewerbung, 10. April – 31. Mai 2025
Vorlesungsfreie Zeit Frühjahr 2025
Information, 14. Februar – 21. April 2025
Water Cooler Talks 2025
Veranstaltung, 8. – 9. Februar 2025
Rundgang 2025
Ausstellung, 7. – 9. Februar 2025, 10:00–20:00
Trisha Donnelly
Vortrag, 30. Januar 2025, 19:00
Kerstin Brätsch: Parasite Painting
Vortrag, 28. Januar 2025, 19:00
Emma Enderby: Curating in and out of Place
Vortrag, 14. Januar 2025, 19:00

Haig Aivazian: World / AntiWorld: On Seeing Double
Vortrag
Haig Aivazian: World/AntiWorld: On Seeing Double
Dienstag, 8. Mai 2018, 19 Uhr, Aula
World/AntiWorld: On Seeing Double grapples with the ways in which our selves are collectively and individually constituted and de-constituted by the intersecting gazes of law, capital and machines. Structured around the three explosions that occurred at the Stade de France in November 2015, the narrative of this lecture takes on the history and futures of surveillance technologies and the so-called subjects they construct. With a particular focus on the increasing difficulty to differentiate between populations of colonies, war zones, and ghettoes, or to clearly delineate the territorial boundaries between them, Aivazian looks at the preemptive and corrective regimes triggered by the back and forth passage between the state of law and the state of exception. The narrative is weaved in and out of the stadium, and told with the help of found online material, to present us with a world that we inhabit together: a world we are always at once familiar with, and alien to.
Haig Aivazian is an artist living in Beirut. Working across a wide range of media, he delves into the ways in which ideologies embed, affect and move people, objects and architecture. Often departing from known events, and weaving in lesser known narratives, he has explored the workings of history writing and sovereignty at work in sports, finance, museums and music.
Der Vortrag findet in englischer Sprache statt.