Städel Museum, Schaumainkai 63, 60596 Frankfurt am Main
Öffnungszeiten: Di–So, 10–18 Uhr; Do, 10–21 Uhr
Eröffnung: Dienstag, 15. Juli 2025, 19–22 Uhr
Heute
Ongoing
Sommersemester 2025
Information, 22. April – 25. Juli 2025
Demnächst
Overture – Absolvent*innenausstellung
Ausstellung, 15. Juli – 10. August 2025, 19:00
Ana Janevski: Looping, Relaying and Echoing. Three Curatorial Strategies
Vortrag, 16. Juli 2025, 19:00
Tanya Lukin Linklater: _structural_flex_
Vortrag, 8. Juli 2025, 19:00
Florence Jung: Doing nothing?
Vortrag, 24. Juni 2025, 19:00
Rabih Mroué: Shot/Counter Shot. Rethinking the Reverse
Vortrag, 17. Juni 2025, 19:00
Adir Jan & Emrah Gökmen: An den Ufern des Munzur, an den Ufern des Murat
Konzert, 12. Juni 2025, 20:00
Miloš Trakilović: Love Songs & War Machines
Vortrag, 10. Juni 2025, 19:00
Anna Roberta Goetz: 36. Bienal de São Paulo. Not All Travellers Walk Roads / Of Humanity as Practice
Vortrag, 3. Juni 2025, 19:00
Jimmy Robert
Vortrag, 27. Mai 2025, 19:00
Klein: No Degree, No Budget, No Problem
Vortrag (20.5.) Konzert (21.5.), 20. – 21. Mai 2025
Julian Irlinger: Reanimation and Reconstruction
Vortrag, 13. Mai 2025, 19:00
İmran Ayata & Bülent Kullukçu: Songs of Gastarbeiter
Music Lecture, 8. Mai 2025, 19:00
Enzo Camacho & Ami Lien: Langit Lupa (Heaven Earth)
Filmvorführung (5.5.) Vortrag (6.5.), 5. – 6. Mai 2025, 19:00
Helen Marten: Animal Hours
Vortrag, 29. April 2025, 19:00
Bewerbung: Masterstudiengang Curatorial Studies – Theorie – Geschichte – Kritik
Bewerbung, 10. April – 31. Mai 2025
Vorlesungsfreie Zeit Frühjahr 2025
Information, 14. Februar – 21. April 2025
Water Cooler Talks 2025
Veranstaltung, 8. – 9. Februar 2025
Rundgang 2025
Ausstellung, 7. – 9. Februar 2025, 10:00–20:00
Trisha Donnelly
Vortrag, 30. Januar 2025, 19:00
Kerstin Brätsch: Parasite Painting
Vortrag, 28. Januar 2025, 19:00
Emma Enderby: Curating in and out of Place
Vortrag, 14. Januar 2025, 19:00

Hardeep Pandhal: Artist talk
Hardeep Pandhal will give an artist talk. In a statement about his practice, he has written: "I work with non-linear forms of digital video which layer lurid hand-drawn cartoons, psychedelic and disorienting narratives with my own deadpan rap music, presenting them within wider sculptural installations and wall drawings. The works include autobiographical detail and test ideas around cultural integration as a means to confront post-colonial trauma, historical whitewashing and legacies of patriarchy. I connect the cultural dislocation between myself and my parents, who are first generation British Sikh, to ideas concerning social reproduction and heritage preservation in broader society. The series of knitted garments made with my mother, with whom I share a language barrier, also marked the beginning of my interest in improvisation and collaboration.
In my recent videos, the frustrations of societal structures are projected into parodic cartoon worlds, resembling digital mind-maps, where viewers are presented with seemingly infinite perspectives of recurring yet disjointed scenes. These animations are made using a digital drawing tablet, where frame by frame drawings transition suggestively. I am interested in how art may address situations of compromise and articulate so-called marginalised positions, with an overarching decolonising project in mind."
Born in Birmingham, Hardeep Pandhal now lives and works in Glasgow. His work was selected for Bloomberg New Contemporaries (2013), the Glasgow International Open Bursary (2013), the Drawing Room Bursary Award (2015) and the New Museum Triennial (2018). Forthcoming and recent solo exhibitions include Liar Hydrant at Cubitt, London and A Nightmare on BAME Street at Eastside Projects, Birmingham.
Der Vortrag findet englischer Sprache.