Information, 9. Mai 2022 – 12. Februar 2023

Vorlesungsfreie Zeit Sommersemester 2022

Information, 18. Juli – 9. Oktober 2022

In liebevoller Erinnerung an Helke Bayrle (1941–2022)

Information, 14. September – 2. Oktober 2022

Die Mensa macht eine Pause!

Information, 19. September – 30. Oktober 2022

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Wintersemester 2022/23

Information, 10. Oktober 2022 – 10. Februar 2023

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Veranstaltung, 9. Juli 2022

Hassan Khan: The Infinite Hip-Hop Song Live!

Konzert, 9. Juli 2022, 21:30–22:45

Gasthof im Robert Johnson

Party, 7. Juli 2022, 22:00

Curatorial Studies Klasse 2021: Three course Menu

Ausstellung, 5. – 10. Juli 2022

MEDIUM RARE — Absolventenausstellung 2022

Ausstellung, 2. – 17. Juli 2022

ALMOST ALIVE—Absolventenausstellung Party

Veranstaltung, 1. Juli 2022, 23:00


Information, 1. – 10. Juli 2022

Asad Raza "Diversion" im Portikus

Ausstellung, 25. Juni – 25. September 2022

Asad Raza: Metabolisms

Vortrag, 21. Juni 2022, 19:00

Anthony Huberman: Bang on a Can

Vortrag, 13. Juni 2022, 19:00

Sung Tieu: Ghosts In The Machine

Vortrag, 7. Juni 2022, 19:00

Lecture: ruangrupa

Vortrag, 31. Mai 2022, 19:00

Lecture: Neïl Beloufa

Vortrag, 10. Mai 2022, 19:00

Vortragsreihe Sommersemester 2022

Vortrag, 26. April – 28. Juni 2022, 19:00

Laura Huertas Millán: Ethnographic fictions

Vortrag, 26. April 2022, 19:00

Sommersemester 2022

Information, 11. April – 15. Juli 2022

Daniel Birnbaum: Notes on the frames of art

Veranstaltung, 10. April 2022, 15:00–17:00

Jochen Lempert im Portikus

Ausstellung, 12. März – 5. Juni 2022

Vorlesungsfreie Zeit 2022

Information, 21. Februar – 10. April 2022


Information, 18. – 20. Februar 2022

Judith Hopf Klasse: Grand Nizza Show

Class Project, 18. Februar – 11. März 2022

Rundgang 2022

Ausstellung, 18. – 20. Februar 2022, 10:00–20:00

Pan Daijing

Online Vortrag, 10. Februar 2022

Jordy Rosenberg: Lift Rift

Online Vortrag, 2. Februar 2022

Ulrike Müller: Moving More Parts

Online Vortrag, 25. Januar 2022

Park McArthur

Online Vortrag, 18. Januar 2022

Sam Durant: Public Discourse?

Online Vortrag, 11. Januar 2022

Image courtesy of University of StuttgartImage courtesy of University of Stuttgart

Johan Bettum: Grammar of the Ineffable. The Subject

Vortrag14. Juni 2017, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

Vortrag Architektur Klasse
Johan Bettum: Grammar of the Ineffable. The Subject
Mittwoch, 14. Juni 2017, 19 Uhr, Aula

The history of architecture appears largely as the history of form: Decorated and non-decorated form, the form of decoration itself, tectonic form - to mention just some of its historical variants. And of recently there has emerged a renewed interest in architectural form predicated by a philosophical enquiry into the status of the object. In extension of so-called “object oriented ontology” or “speculative realism,” architecture entertains an interest in “weird” realism and “strange” objects, which soon also includes “strange” forms. 

However, any version of architectural form is only one part of the story; its assumed converse, space, being the other. While contemplating or entering architectural form, we occupy space. Yet, its nature remains as evasive as it was when our contemporary notion of space first emerged in architectural theory at the end of the nineteenth century.

This lecture traces our architectural notion of space back to this origin, in the process contextualising it relative to the problem of form and - indirectly - formalism in architectural design. It positions our idea of space in a copious context, so fully saturated with information and matter that the design space, the space in which we work, is full to overflowing with input, opportunities but also responsibilities. This saturated space is at once both a material and immaterial phenomenon. 

The lecture pursues - perhaps in vain - a hidden structure underlying our experience of spatial constructs. It does so by briefly discussing three art works and a few architectural projects to suggest that architecture may be understood in a choreographic sense. That is, by spatially situating a double subject - that is, the architect designer as well as the experiencing subject - relative to architectural form, architecture emerges as, to paraphrase the dancer and choreographer William Forsythe, ‘a choreographic object.’ In consequence, aiming to loosely define a spatial paradigm based on the notion of choreography in saturated space, the subject appears compelled to move and be moved in space, as if caught in a dense meshwork of information and matter, of input and output.

Johan Bettum is a professor of architecture and the program director of the Städelschule Architecture Class.
Vortrag findet in englischer Sprache