Über den spezifischen und den allgemeinen, den produktiven und reproduktiven, materiellen und immateriellen Charakter künstlerischer Arbeit.
Heute
Ongoing
Wintersemester 2023/24
Information, 16. Oktober 2023 – 9. Februar 2024
Vortragsreihe Wintersemester 2023/24
Information, 7. November 2023 – 6. Februar 2024
Demnächst
Rundgang 2024
Ausstellung, 9. – 11. Februar 2024, 10:00–20:00
Nika Dubrovsky: Another art world: Art Communism and Artificial Scarcity
Vortrag, 28. November 2023, 19:00
Iris Touliatou: In this Economy
Vortrag, 21. November 2023, 19:00
Gareth Evans: An Act of Care: Curation–A Modest Proposal
Vortrag, 13. – 14. November 2023, 19:00
Helena Uambembe: Creating Myth for a historical understanding
Vortrag, 7. November 2023, 19:00
Vorlesungsfreie Zeit Sommersemester 2023
Information, 17. Juli – 13. Oktober 2023
GROTTO – Absolvent*innenausstellung 2023
Ausstellung, 14. – 30. Juli 2023
Hoor Al Qasimi: Sharjah Biennial 15. Thinking Historically in the Present
Vortrag, 4. Juli 2023, 19:00
Manthia Diawara & Monika Szewczyk: AI: African Intelligence
Screening, 28. Juni 2023, 20:15
Lynn Rother: Uncanny provenance. Art history and its double
Vortrag, 27. Juni 2023, 19:00
Slavs and Tatars: The Transliterative Tease
Vortrag, 20. Juni 2023
Amt 45 i: Talks
Symposium, 17. Juni 2023, 14:00–20:30
another night in daimler
Konzert, 16. Juni 2023, 20:00
Jacqui Davies: Playing with Fire or the perils of working at the intersection of art and film
Vortrag, 13. Juni 2023, 19:00
Willem de Rooij: King Vulture
Vortrag, 6. Juni 2023, 19:00
Vittoria Martini & Thomas Hirschhorn: The Ambassador’s Diary
Gespräch, 1. Juni 2023
Tarek Lakhrissi: Beastangel
Vortrag, 16. Mai 2023
Éric Baudelaire: When There is No More Music to Write (Lecture)
Vortrag, 9. Mai 2023
Éric Baudelaire: When There is No More Music to Write (Screening)
Screening, 8. Mai 2023
Vortragsreihe Sommersemester 2023
Vortrag, 2. Mai – 7. Juli 2023
Grada Kilomba: Ein Gespräch über die 35. Biennale von São Paulo
Vortrag, 2. Mai 2023, 19:00
Sommersemester 2023
Information, 11. April – 14. Juli 2023
Bewerbungsphase für ein Vollstudium in Freie Bildende Kunst 2023/24
Information, 1. – 30. April 2023
Lap-See Lam "Tales of the Altersea" im Portikus
Ausstellung, 11. März – 28. Mai 2023
Peter Weibel (1944–2023)
Information, 1. – 15. März 2023
Vorlesungsfreie Zeit Wintersemester 2022/23
Information, 13. Februar – 10. April 2023
Die Mensa macht eine Pause!
Information, 13. – 20. Februar 2023
Rundgang 2023
Ausstellung, 10. – 12. Februar 2023, 10:00–20:00
Water Cooler Talks 2023
Vortrag, 10. – 12. Februar 2023
Rundgang Filmprogramm im DFF
Ausstellung, 10. – 12. Februar 2023
Rundgang Party 2023
Party, 10. Februar 2023, 23:00
Rundgang-Preise 2023
Information, 10. – 24. Februar 2023
Vom Nutzen der Freundschaft—Ein Symposium zu Ehren von Prof. Dr. Isabelle Graw
Symposium, 27. Januar 2023, 14:00–18:00
Adam Shiu-Yang Shaw: city limits
Vortrag, 24. Januar 2023, 19:00
Christina Li: Time, dispossessed
Vortrag, 17. Januar 2023, 19:00

Stefano Harney: Sovereignty of the Concept
This talk will consider different aspects of sovereignty as it has developed as a force in the modern world. In particular it will ask how a dedication to collective study can combat the sovereignty of concepts. Reference will be made to figures from the 'black radical tradition,' as Cedric Robinson named it, and will include Robinson, Huey Newton, and contemporary scholars Fumi Okiji and Denise Ferreira da Silva. This talk will be given in relation to the work of the Guatemalan artist Sandra Monterosso.
Stefano Harney is the co-author with Fred Moten of The Undercommons: Fugitive Planning and Black Study (2013) and the forthcoming All Incomplete (2020), both from Autonomedia/Minor Compositions. He is Honorary Professor at The Institute of Gender, Race, Sexuality and Social Justice at the University of British Columbia and a Visiting Critic at Yale School of Art. Together with Tonika Sealy Thompson he runs Ground Provisions, a reading residency. He is also co-founder of School for Study, a collective of teachers in higher education experimenting with ensemble teaching. Stefano has held teaching positions in New York, Leicester, London, and Singapore. He holds a Ph.D. from the University of Cambridge and an A.B. from Harvard University.
Der Vortrag findet in englischer Sprache statt.