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Jochen Lempert im Portikus

Ausstellung, 12. März – 5. Juni 2022

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Vortrag, 26. April – 28. Juni 2022, 19:00

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Asad Raza "Diversion" im Portikus

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Lecture: Neïl Beloufa

Vortrag, 10. Mai 2022, 19:00

Laura Huertas Millán: Ethnographic fictions

Vortrag, 26. April 2022, 19:00

Daniel Birnbaum: Notes on the frames of art

Veranstaltung, 10. April 2022, 15:00–17:00

Vorlesungsfreie Zeit 2022

Information, 21. Februar – 10. April 2022

Rundgang-Preisträger*innen

Information, 18. – 20. Februar 2022

Judith Hopf Klasse: Grand Nizza Show

Class Project, 18. Februar – 11. März 2022

Rundgang 2022

Ausstellung, 18. – 20. Februar 2022, 10:00–20:00

Pan Daijing

Online Vortrag, 10. Februar 2022

Jordy Rosenberg: Lift Rift

Online Vortrag, 2. Februar 2022

Ulrike Müller: Moving More Parts

Online Vortrag, 25. Januar 2022

Park McArthur

Online Vortrag, 18. Januar 2022

Sam Durant: Public Discourse?

Online Vortrag, 11. Januar 2022

Ulrike Müller: Moving More Parts

Online Vortrag25. Januar 2022
Ulrike Müller, The Conference of the Animals (A Mural), 2020; photo: Shark SenesacUlrike Müller, The Conference of the Animals (A Mural), 2020; photo: Shark Senesac

New York–based painter Ulrike Müller mobilizes vocabularies of color and shape that are politically and emotionally charged and encourage figurative readings. Her work moves between different contexts and publics, it invites collaboration and expands its realms of production in processes of exploration and exchange. Alongside small-scale paintings in vitreous enamel, Müller also produces expansive wall paintings, publications, prints, and textiles.

Ulrike Müller studied art at the Academy of Fine Arts Vienna, Austria, and participated in the Whitney Museum Independent Study Program, New York. She was a co-editor of the queer feminist journal LTTR and from 2009-2012 organized the collaborative project Herstory Inventory. 100 Feminist Drawings by 100 Artists. Her work has been show at the Museum of Modern Art Ludwig Foundation (Mumok, Vienna, 2015), in the Whitney Biennial (New York, 2017), the 57th Carnegie International (Pittsburgh, 2018), at the Kunstverein für die Rheinlande und Westfalen (Düsseldorf, 2018) and in the international exhibition of the 58th Venice Biennale (2019).