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Information, 9. Mai 2022 – 12. Februar 2023

Vorlesungsfreie Zeit Sommersemester 2022

Information, 18. Juli – 9. Oktober 2022

In liebevoller Erinnerung an Helke Bayrle (1941–2022)

Information, 14. September – 2. Oktober 2022

Die Mensa macht eine Pause!

Information, 19. September – 30. Oktober 2022

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Wintersemester 2022/23

Information, 10. Oktober 2022 – 10. Februar 2023

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GASTHOF 2022 "OPEN HOUSE"

Veranstaltung, 9. Juli 2022

Hassan Khan: The Infinite Hip-Hop Song Live!

Konzert, 9. Juli 2022, 21:30–22:45

Gasthof im Robert Johnson

Party, 7. Juli 2022, 22:00

Curatorial Studies Klasse 2021: Three course Menu

Ausstellung, 5. – 10. Juli 2022

MEDIUM RARE — Absolventenausstellung 2022

Ausstellung, 2. – 17. Juli 2022

ALMOST ALIVE—Absolventenausstellung Party

Veranstaltung, 1. Juli 2022, 23:00

Absolventenpreise

Information, 1. – 10. Juli 2022

Asad Raza "Diversion" im Portikus

Ausstellung, 25. Juni – 25. September 2022

Asad Raza: Metabolisms

Vortrag, 21. Juni 2022, 19:00

Anthony Huberman: Bang on a Can

Vortrag, 13. Juni 2022, 19:00

Sung Tieu: Ghosts In The Machine

Vortrag, 7. Juni 2022, 19:00

Lecture: ruangrupa

Vortrag, 31. Mai 2022, 19:00

Lecture: Neïl Beloufa

Vortrag, 10. Mai 2022, 19:00

Vortragsreihe Sommersemester 2022

Vortrag, 26. April – 28. Juni 2022, 19:00

Laura Huertas Millán: Ethnographic fictions

Vortrag, 26. April 2022, 19:00

Sommersemester 2022

Information, 11. April – 15. Juli 2022

Daniel Birnbaum: Notes on the frames of art

Veranstaltung, 10. April 2022, 15:00–17:00

Jochen Lempert im Portikus

Ausstellung, 12. März – 5. Juni 2022

Vorlesungsfreie Zeit 2022

Information, 21. Februar – 10. April 2022

Rundgang-Preisträger*innen

Information, 18. – 20. Februar 2022

Judith Hopf Klasse: Grand Nizza Show

Class Project, 18. Februar – 11. März 2022

Rundgang 2022

Ausstellung, 18. – 20. Februar 2022, 10:00–20:00

Pan Daijing

Online Vortrag, 10. Februar 2022

Jordy Rosenberg: Lift Rift

Online Vortrag, 2. Februar 2022

Ulrike Müller: Moving More Parts

Online Vortrag, 25. Januar 2022

Park McArthur

Online Vortrag, 18. Januar 2022

Sam Durant: Public Discourse?

Online Vortrag, 11. Januar 2022

Jane Jin Kaisen: On Storytelling, Mediation, and Alternative Genealogies

Vortrag12. Dezember 2019, 19:00Aula, Städelschule, Dürerstraße 10, 60596 Frankfurt am Main

The lecture of Jane Jin Kaisen will include a presentation of her video installation Community of Parting (2019) from the Korean Pavilion of the 58th Venice Biennale. Re-actualizing the Korean shamanic myth of the Abandoned Princess Bari, within the context of Korea’s division and militarized modernity, Community of Parting addresses historical trauma, migration, and gender marginalization while suggesting ways of approaching borders otherwise. The piece is composed of imagery filmed in South Korea, North Korea, Kazakhstan, Japan, China, the United States, and Germany. Combining shamanic ritual performances, nature- and cityscapes, archival material, aerial imagery, poetry, voiceover, and soundscapes, Community of Parting is configured as a multi-scalar, non-linear, and layered montage loosely framed around Bari’s multiple deaths.
The lecture will also include a presentation of related works such as The Woman, The Orphan, and The Tiger(2010), Apertures Specters Rifts (2016) and Reiterations of Dissent (2011-16) which similarly engage questions of storytelling, mediation, and the tracing of alternative genealogies.

Jane Jin Kaisen works across the mediums of video installation, film, photography, performance, and text. Recurring themes involve memory, migration, and translation at the intersection of personal and collective histories. She holds an MFA in Interdisciplinary Studio Art from the University of California Los Angeles, an MA in Art Theory and Media Art from The Royal Danish Academy of Fine Arts, and participated in the Whitney Museum of American Art Independent Study Program.
She is representing Korea at the 58th Venice Biennale and has participated in the biennials of Liverpool, Gwangju, Anren, and Jeju. Other recent exhibitions include: Neither black/red/yellow nor woman at Times Art Center Berlin, the 68th Berlin International Film Festival and 2 or 3 Tigers at HKW (Haus der Kulturen der Welt, Berlin) in Germany; Decolonizing Appearance at CAMP (Center for Art on Migration Politics) in Denmark; Asian Diva: The Muse and the Monster at Buk Seoul Museum of Art, Art Spectrum at the Leeum Samsung Museum of Art and Interrupted Survey: Fractured Modern Mythologies at Asia Culture Center in South Korea.

Der Vortrag findet in englischer Sprache statt.